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Ecocritique is a practice of radical questioning, as essential to the critical armoury as feminism and postcolonialism have become. Like them, it extends beyond judgements about texts with clear ecological themes, demonstrating the significance of ecocriticism for any advanced understanding of cultural forms. Anecdotal method is ecocritical because it focuses on encounters, concentrated moments of crisis when social ordering and ecological forces clash. The
anecdote's power to produce events, meanings and history forms a methodological entry to aesthetic politics. Anecdotal Evidence provides an outline of the need for and principles of anecdotal method; a case
study of eco-critical themes in Hollywood films shaped by the Global Financial Crisis; and a confrontation with mass image databases of social and streaming media that due to their scale and organisation appear at first immune to anecdotal method. Only because the environment has a history is it possible to intervene environmentally. Because we continually misrecognise the historical production of environments, the first task of ecocritique is to bring our formative concept of ecology into
crisis. Its final task will be to achieve the good life for everything connected by the historical implication of humans in ecology, and ecology in humans. No politics can be undertaken in our times except
through media: ecocritical humanities have a key role in rethinking ecopolitics in the 21st century.
Ecocritique is a practice of radical questioning, as essential to the critical armoury as feminism and postcolonialism have become. Like them, it extends beyond judgements about texts with clear ecological themes, demonstrating the significance of ecocriticism for any advanced understanding of cultural forms. Anecdotal method is ecocritical because it focuses on encounters, concentrated moments of crisis when social ordering and ecological forces clash. The
anecdote's power to produce events, meanings and history forms a methodological entry to aesthetic politics. Anecdotal Evidence provides an outline of the need for and principles of anecdotal method; a case
study of eco-critical themes in Hollywood films shaped by the Global Financial Crisis; and a confrontation with mass image databases of social and streaming media that due to their scale and organisation appear at first immune to anecdotal method. Only because the environment has a history is it possible to intervene environmentally. Because we continually misrecognise the historical production of environments, the first task of ecocritique is to bring our formative concept of ecology into
crisis. Its final task will be to achieve the good life for everything connected by the historical implication of humans in ecology, and ecology in humans. No politics can be undertaken in our times except
through media: ecocritical humanities have a key role in rethinking ecopolitics in the 21st century.
Introduction
Section 1: Ecocritique and Anecdote
Section 2: Ecocritique, Popular Cinema, and the Global Financial
Crisis
2.1 Rango and appearance
2.2 A Glitch in time: Déjà Vu
2.3 Becoming human: Iron Man 2
2.4 Otherwise than human: Oblivion
2.5 The Non-identical world: Source Code
2.6 Those Dying Generations: No Country for Old Men
2.7 Hope in Children of Men and Serenity
2.8 Posthumous Media: The Voyager Animations
Section 3: Ecocritique, Anecdote, and the Mass Image
Part 1: Making the Mass Image
Part 2: Remaking the Mass Image
References
Index
Sean Cubitt, Professor of Screen Studies, University of
Melbourne
Sean Cubitt is Professor of Screen Studies at the University of
Melbourne. His publications include The Cinema Effect (2004),
EcoMedia (2005), The Practice of Light (2014), and Finite Media:
Environmental Implications of Digital Technologies (2017). He is a
co-editor of The Ecocinema Reader: Theory and Practice (2012) and
of Ecomedia: Key Issues (2015). A member of the editorial boards of
leading journals arts including
Screen, Cultural Politics, Animation and MIRAJ: The Moving Image
Review and Art Journal, he is series editor for Leonardo Books.
Anecdotal Evidence offers an impressive, insightful, and
unquestionably inspiring set of film critiques that convincingly
demonstrates the ecocritical potential of the concept of the
anecdote.
*Film Philosophy*
As one of ecomedia's long-standing leading scholars, Cubitt's
Anecdotal Evidence challenges its readers to break from our
entrenched and unsustainable current path dependencies. The point
is not to imagine some better but endlessly deferred future but to
recover what is possible in the present.
*Critical Inquiry*
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