In these ten intertwined essays, one of our most provocative young novelists proves that she is just as stylish and outrageous an art critic. For when Jeanette Winterson looks at works as diverse as the Mona Lisa and Virginia Woolf's The Waves, she frees them from layers of preconception and restores their power to exalt and unnerve, shock and transform us.
"Art Objects is a book to be admired for its effort to speak exorbitantly, urgently and sometimes beautifully about art and about our individual and collective need for serious art."--Los Angeles Times
In these ten intertwined essays, one of our most provocative young novelists proves that she is just as stylish and outrageous an art critic. For when Jeanette Winterson looks at works as diverse as the Mona Lisa and Virginia Woolf's The Waves, she frees them from layers of preconception and restores their power to exalt and unnerve, shock and transform us.
"Art Objects is a book to be admired for its effort to speak exorbitantly, urgently and sometimes beautifully about art and about our individual and collective need for serious art."--Los Angeles Times
PART ONE
Art Objects
PART TWO
Transformation
Writer, Reader, Words
Testimony Against Gertrude Stein
A Gift of Wings (with reference to Orlando)
A Veil of Words (with reference to The Waves)
PART THREE
Ecstasy and Energy
The Semiotics of Sex
The Psychometry of Books
Imagination and Reality
Art & Life
A Work of My Own
A novelist whose honours include England’s Whitbread Prize, and the American Academy’ s E. M. Forster Award, as well as the Prix d’argent at the Cannes Film Festival, Jeanette Winterson burst onto the literary scene as a very young woman in 1985 with Oranges Are Not the Only Fruit. Her subsequent novels, including Sexing the Cherry, The Passion, Written on the Body, and The PowerBook, have also gone on to receive great international acclaim. Her latest novel is Lighthousekeeping, heralded as "a brilliant, glittering, piece of work" (The Independent). She lives in London and the Cotswolds.
"Jeanette Winterson is one of Britain's brightest alternative
literary lights. Her quirky, madly poetic prose has won her a loyal
cult following and a lot of respect from the mainstream."
H.J.Kirchhoff, The Globe and Mail
"Thrilling, persuasive, challenging and written with a skill and
beauty entirely shorn of artifice. . . . Should be bought, read,
re-read and read out loud as often as possible." Edmonton
Journal
"Brilliant essays, the finest I've read in years, a wonderful,
timely endorsement of what art is and what it isn't. In 10 separate
ways, from 10 different angles, she takes clear, intelligent aim at
the modern wish that art be less arty, and more entertaining; that
art be easier for people to chew and quickly digest. . . . Should
be required reading." Ottawa Citizen
"It is invigorating to read these essays by a woman who believes in
art, full stop." The Globe and Mail
"A delight. . . . I find Winterson an invigorating critic, as well
as an exhilarating literary soul mate. . . . At a time when
literary commentary is bogged down by dense, impenetrable
post-modern and post-structuralist twaddle, Art Objects . . .
offers itself as a breath of fresh thought and fresh expression."
Kitchener-Waterloo Record
"Brilliant, challenging, funny, highly personal." Family
Practice
"A witty, reasoned look at the power of, and our powerful need for,
all forms of art." Ottawa Citizen
"A book of essays to set your intellect on fire." Bruce Powe, The
Financial Post
"Potent. . . . Part soulful meditation and part fiery manifesto. .
. . Ms. Winterson is a passionate writer. . . . Hers is a book born
of a restless, uncompromising intelligence and a life of practicing
what she preaches, of taking the kind of artistic risks she so
fiercely espouses." The New York Times Book Review
"Winterson is in fine form in these essays about art, arguing,
admonishing, infuriating, teasing. . . . She fights solemnly,
beguilingly, for ecstasy and silence and the revival of our ability
to contemplate. . . . She says much that is important about energy
and passion. Her stalwart defence of the modern is a challenge to
the barrenness and niggliness with which we live." The Observer
(UK)
"There is no denying the beauty and precision of her writing, nor
the clarity of her expression. . . . On her heroines—Stein, Woolf,
Eliot, books themselves—she is particularly strong and passionate.
Through it all, a central theme occurs: that art, true art, is and
will remain a vital force, without which life is scarcely worthy of
the name." Time Out (UK)
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