Mick Herron is the #1 Sunday Times bestselling author of the Slough House thrillers, which have won the Theakston Old Peculier Crime Novel of the Year award, two CWA Daggers, been published in twenty-five languages, and are the basis of a major TV series starring Gary Oldman as Jackson Lamb. He is also the author of the Zoe Boehm series, and the standalone novels Nobody Walks and The Secret Hours. Mick was born in Newcastle upon Tyne, and now lives in Oxford.
Bad Actors took a big step into literary excellence. The dazzling,
Conrad-like structure turned an entertainment into a major literary
statement
*The Spectator*
Bad Actors is both thriller and anti-thriller: subverting and
denying the treats you expect from the genre, but then providing
them in a twisted form after all
*Sunday Times*
Jackson Lamb is the greatest literary creation of this century . .
. Herron is master of the metaphor and his extraordinarily
well-plotted books are always centred on real-life events
*Great British Life*
An ingeniously structured caper
*Mail on Sunday*
Satire at its best along with him being one of the best spy
thriller writers around
*Shots Mag*
Britain's finest contemporary thriller series
*Daily Express*
There's no doubting Herron's intelligence. Will he prove to be our
age's Anthony Trollope? . . . Few other contemporary thrillers, at
any event, would have the confidence to make a plot point of the
post-Brexit residency status of some of Lazio's hardcore Curva Nord
football fans . . . [Bad Actors] deserves the bouquets that will
come its way, and Herron is building a series with lasting
resonance. We'll miss the show when some day he decides to bring
the curtain down
*The Times*
A pitch-perfect espionage thriller and a double delight for
political nerds as it thrusts the slow horses into a Russian
intelligence operation in Westminster . . . What Bad Actors shows
is that he has inherited le Carré's mantle for using the thriller
to dissect the times in which he lives . . . Bad Actors is his most
piquant political satire, dripping with tart observations about our
unruly rulers
*Sunday Times Culture*
Anyone who enjoys Mick Herron's masterful political satires and
fantastical spy fiction must be afraid that one day his powers of
invention will falter. It hasn't happened yet. Bad Actors is as
good as ever . . . This novel contains some serious, hard-hitting
emotions alongside the wit, neat plotting, great action scenes,
beautiful descriptions and wonderful schoolboy smut (placed in the
mouth of Lamb) we have come to associate with Herron's writing.
This is entertainment of the highest class
*Literary Review*
This highly topical, beautifully written, indecently entertaining
book maintains the impeccably high standards Herron has set for
this essential series
*Irish Times*
What spurs me to keep reading each new instalment is Herron's
absurdist voice, which could devolve into cheap cynicism but never
does
*New York Times*
Written with the gifted Herron's typical wit, and with Lamb's
personality pervading every page, this is the antithesis of the
discreet George Smiley
*Daily Mail*
One of the best entries in an outstanding series
*Daily Express (Scotland), Daily Mirror*
What we're reading
*i Paper*
It's beautifully written with a satisfyingly complex plot and an
explosive finale
*Daily Record*
Like all of Herron's enthralling series, Bad Actors is both
thriller and anti-thriller, subverting and denying the treats you
expect from the genre, but then sardonically providing them in a
twisted form after all
*Sunday Times, Thriller of the Month*
Anyone who tries to understand modern Britain through its fiction
but overlooks Mick Herron's satirical thrillers merits a punishment
posting to the critics' version of Slough House . . . Snappily
paced, his comic prose fizzes with an epigrammatic chutzpah,
softened by elegiac grace notes. . . Herron, in Wodehouse or
Pratchett mode, fashions a self-sustaining comic realm . . . it's
the line-by-line hits of patter and backchat - part-Noël Coward,
part-Joe Orton - that spritz every page
*The Spectator*
Beautifully written with a satisfyingly complex plot and an
explosive finale. Herron remains Britain's finest living thriller
writer . . . [A] remarkable talent
*Sunday Express*
New readers attracted by the TV version of Slow Horses will find
Herron at his very best
*Mail on Sunday, Mail Online*
The foremost living spy novelist in the English language
*New Statesman*
I roared through Mick Herron's new Slough House novel, Bad Actors,
with the odious, odorous genius Jackson Lamb at its heart, and a
couple of loathsome main characters who surely only coincidentally
resemble well-known British political figures of our time
*Robert Macfarlane*
The man is a genius
*The Spectator*
One of the most consistently enjoyable literary achievements of the
past decade
*The Times*
Mixes his trademark black comedy with insights into the tangled
moral universe we inhabit . . . Herron at his very best
*Mail on Sunday*
Herron stands firmly in the line of descent from Ian Fleming. It is
fitting that he has been given the broadcast treatment because -
following the death of John le Carré - he is at the summit of what
I believe is a new golden age of spy fiction . . . Herron began
writing about a private detective and switched to spy thrillers in
2010, but it was eight years before he made it big. While he won
awards, his books barely sold. His second, Dead Lions (2013), did
not even secure a hardback release in the UK. It was only when the
publisher John Murray rescued him from obscurity that he began to
enjoy commercial success - he recently topped one million sales for
the Slough House series
*Sunday Times*
I love Mick Herron's books, both for what they are - which is:
pitch-perfect, fantastically-written, hilariously-funny spy capers
- and also for what they say about Britain . . . Herron is not just
a top-notch thriller writer, but a satirist of the first order
*Oliver Bulloughs, Waterstones*
Mick Herron's Slough House spy thrillers, about a duff MI5 unit,
got me through journeys, despite egregious politicking (the latest,
Bad Actors, is in paperback)
*Country Life books of the year*
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