Erika Fatland was born in 1983 and studied Social Anthropology at the University of Oslo. Her 2011 book, The Village of Angels, was an in situ report on the Beslan terror attacks of 2004 and she is also the author of The Year Without Summer, describing the harrowing year that followed the massacre on Utoya in 2011. For Sovietistan (2019) she was shortlisted for the Edward Stanford/Lonely Planet Debut Travel Writer of the Year, and The Border (2020) was shortlisted for the Stanfords Dolman Travel Book of the Year 2020. She speaks eight languages and lives in Oslo with her husband.
Truly a masterly performance . . . The book has so many qualities
that it is impossible to mention them all. Fatland masters the
genre to perfection . . . The Border transcends all borders.
Reading it is a true delight.
*Aftenposten*
The strength of Fatland's second travel book lies in its ability to
make history come alive through stories . . . Well-informed,
precise, astute in its restraint, entertaining, balanced and not
without the occasional dose of gentle irony - every chapter written
by this border-crosser, who doesn't shy away from any ordeal, is
captivating reading.
*Sueddeutsche Zeitung*
Masterly . . . A Norwegian Marco Polo . . . The lines of force of
history become clear thanks to this thorough and well-written book
by one of our best and most original young nonfiction authors.
*Dagbladet*
The Border is like a kinderegg, it is a travel book, a history
book, and a biography of people we normally do not hear much about
but to whom we become close through Fatland's long Odyssey.
*V.G.*
She weaves her travel narrative with stories of people whose lives
have been affected by Russia's geopolitical ambitions. Armchair
adventurers and Russian history buffs are in for a treat.
*Publishers Weekly*
The latest from Norwegian social anthropologist Erika Fatland,
who's shaping up to be one of the Nordics' most exciting new travel
writers . . . An examination of Russia from its fringes, this is an
interesting way to 'see' a country without ever actually going into
it. And it offers up some pretty epic peripheral vision.
*National Geographic*
Erika Fatland deserves both applause and thanks for this impressive
mix of history, reportage and travel memoir
*Washington Post*
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