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Capitalism and its ­Discontents
Power and Accumulation in Latin-American Culture (Iberian and Latin American Studies)

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Format
Hardback, 320 pages
Published
United Kingdom, 1 March 2017

In this book, John Kraniauskas uses close examinations of a number of modern and contemporary Latin American and North American novels and films to highlight the relationship between such texts and their regional cultural, political, and social contexts. Studies of a novel by James Ellroy and the TV series The Wire enable Kraniauskas to consider how ideas developed in one context can be used to explain experiences in another; he also explores an ongoing shift from texts that are centered on the state and its actions to those in which other groups come to the fore. Throughout, there's a useful emphasis on the cultural experience of money, and how it can be traced through a wide variety of texts and cultural productions.


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Product Description

In this book, John Kraniauskas uses close examinations of a number of modern and contemporary Latin American and North American novels and films to highlight the relationship between such texts and their regional cultural, political, and social contexts. Studies of a novel by James Ellroy and the TV series The Wire enable Kraniauskas to consider how ideas developed in one context can be used to explain experiences in another; he also explores an ongoing shift from texts that are centered on the state and its actions to those in which other groups come to the fore. Throughout, there's a useful emphasis on the cultural experience of money, and how it can be traced through a wide variety of texts and cultural productions.

Product Details
EAN
9781783169542
ISBN
1783169540
Dimensions
21.8 x 14 x 2.8 centimeters (0.52 kg)

Table of Contents

AcknowledgementsPrologue by Roger BartraIntroduction Part I: Walter Benjamin in Latin AmericaChapter 1: Beware Mexican Ruins! One-Way Street and the Colonial UnconsciousChapter 2: Laughing at 'Americanism': Benjamin, Mariategui, ChaplinChapter 3: A Small Andean History of Photography: Yawar fiesta Part II: The 'Malsoblestar' of LiteratureChapter 4: The Politics of El Senor Presidente: Notes on Textual 'Maldoblestar'Chapter 5: From Ideology to Culture: Subalternization and Montage (Yo el Supremo's History)Chapter 6: Return, Melancholy and the Crisis of the Future: El fiscal by Augusto Roa BastosChapter 7: The State is a Monkey: El apando by Jose RevueltasChapter 8: Porno-Revolution: El fiord and the Eva-Peronist StateChapter 9: Critical Closeness: the Chronicle-Essays of Carlos MonsivaisChapter 10: Noir into History: James Ellroy's Blood's A Rover

About the Author

John Kraniauskas is Professor of Latin American Studies at Birkbeck, University of London. A founding co-editor of the Journal of Latin American Cultural Studies, he writes widely on Latin American literary and cultural studies, political philosophy and cultural theory.

Reviews

'This major volume brings together a set of essays by one of the most stimulating writers in English on Latin American culture. John Kraniauskas boasts an astonishing critical and cultural range - in three sections and a series of chapters, he tours with consummate skill both canonical and less feted novels. His meticulous grounding in Marxist and critical theory allows Kraniauskas to study the experience of capitalism in Latin America, and in particular the relationship between literature as a cultural form and the role of the state. The resulting work will be of great importance to all those studying or researching Latin American culture and politics, and provides tools for wider disciplines, including literary and cultural studies.' - Professor Ben Bollig, University of Oxford. 'Capitalism and its Discontents is the result of a decades-long passionate engagement with Latin American cultural and political development. It traces a history of twentieth-century responses to the transculturating State-form. Writing - some writing - in the different grammars Kraniauskas exposes, undoes primitive political accumulation: such would be its function in its concrete Latin American determination. Critique is here state-critique, and thought is the sustained effort, nevertheless rare, to oppose history's violent engorgement. This is a deeply original work, one of those books whose disturbing imprint will change the approach to critical work on culture.' - Professor Alberto Moreiras, Texas A&M University.

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