A response to the unimaginable cruelties that became our new quotidian in 2020, that moves musically and discursively through innovative permutations of lyric form.
CRUEL/CRUEL is the manifestation of a Black, queer voice grappling with the intricacies of (un)belonging and identity. These poems use genres of queerness and race to reckon with the pervasive power of oppressive institutions, shaped by art and a soundtrack of Black musical traditions of resistance: from jazz to soul to experimental to hip hop. A hybrid visual and literary object, CRUEL/CRUEL feels relentlessly present, and yet emphasizes the archival and documentary as intrinsic to our personal and collective survivals.
A response to the unimaginable cruelties that became our new quotidian in 2020, that moves musically and discursively through innovative permutations of lyric form.
CRUEL/CRUEL is the manifestation of a Black, queer voice grappling with the intricacies of (un)belonging and identity. These poems use genres of queerness and race to reckon with the pervasive power of oppressive institutions, shaped by art and a soundtrack of Black musical traditions of resistance: from jazz to soul to experimental to hip hop. A hybrid visual and literary object, CRUEL/CRUEL feels relentlessly present, and yet emphasizes the archival and documentary as intrinsic to our personal and collective survivals.
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Dior J. Stephens is a proud Midwestern pisces poet. He is the author of SCREAMS & lavender, 001, and CANNON!, all with Ghost City Press. Dior holds an MFA in Creative Writing from California College of the Arts and is currently a doctoral candidate in the Philosophy program at the University of Cincinnati. Dior hopes to be a dolphin in his next life. Dior's preferred pronouns are he/they. He tweets at @dolphinneptune and Instagrams at @dolphinphotos.
"Stephens’s beguiling book puzzles out the interconnections of
seemingly opposing forces as it wrestles with issues of race,
language, and legibility in the wake of 2020’s twin cataclysms of
police violence and COVID-19.”—Harriet Books"Dior
Stephens’ CRUEL/CRUEL is a meticulously arranged series
of poems that contrasts playful lightness with the heavy weight of
racial conflict and tension in a form that is both startling and
familiar in its restrained mix of anger and hope. Each poem’s
eye is turned inward with an intensity that burns through the self,
revealing a brilliant mirror reflecting the world through the Black
body."—Stephen Patrick Bell, Lamda Literary Review
Mentioned in Literary Hub, "What Hanif Abdurraqib is Reading Now
and Next"“I can honestly say he might be one of my favorite poets
I’ve read. With all the brutal honesty of Claudia Rankine and the
playfulness of Ross Gay, Stephens’s declaration that 'a poet is a
poem is a keeper' is my new motto. This one’s definitely a
keeper.”—D.D. Deischer-Eddy, Green Blotter"Dior J. Stephens’
CRUEL/CRUEL is a testament to queer interiority, an ode to the
Saturn return, and a celebration of language itself. If you delight
in 'FEMBOY NAILS CLAWING UP RAFTERS OF HYPERCRITICALITY,' or if
you’ve ever wanted to ride in a 'salted/shroom submarine' then this
book is your book. Do as the speaker advises in one of these
fantastic poems and 'open your windows'—let this book in."—Cyrée
Jarelle Johnson
"With glorious music, Dior J. Stephens’ CRUEL/CRUEL explores how
societal expectations obstruct true connection and intimacy.
Stephens, an expert in energetic wordplay, writes so that each poem
is also a performance—something to be experienced within the body,
a secret to be shared between friends. And I felt myself leaning
in, feeling this speaker’s plight for love and acceptance, found
myself also asking, 'and / don’t i croon for you, like /
so?'"—Taylor Byas"CRUEL/CRUEL peels the plastic cover off the good
couch and relishes in the lush sonic textures and linguistic
dexterity of the lyric. Dior J. Stephens exudes a finesse to
language and experimentalism as a site for re-imagination, for
'STILL, there’s a hope in the wind that slants pessimism.' Stephens
is the 'dolphin in a mask in a mask in plain view,' inventive,
playful, and spiritually cognizant to manifest for Black, queer
voices toward radiant futures."—Anthony Cody"Dior J. Stephens knows
the body is a reluctant archive. Stephens tends to traces of the
everyday, knotting them into memory to patch a self frayed and
fuming under the gaze of white heteropatriarchy. Yet, Stephens
tracks how we buckle with pleasure. To read this book is to slink
into a plum-black night where we hear 'the ghost rivers of Harlem
play / light patches / in your good ear.' Listen."—Divya Victor
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