John M. MacKenzie is professor emeritus of imperial history at Lancaster University, where he pioneered the study of popular and cultural imperialism. His books include Museums and Empire and The British Empire Through Buildings.
“A useful and knowledgable primer. . . . Tensions, ambiguities and
unintended consequences are resonant in John M. MacKenzie’s
synoptic history of British imperial culture, which explores
ceremony, sport, art, architecture and the mediums of print, radio
and film from all sides of the imperial divide.”—Paul Lay, Daily
Telegraph
“Mackenzie has perhaps never received the credit he deserves. . . .
His work has been as important as that of any postcolonial
theorist.”—Stephanie Barczewski, Times Literary Supplement
“It is difficult to imagine even a casual reader putting down
Mackenzie’s book and not wanting to know more about one or two of
its many characters.”—Barnaby Crowcroft, Literary Review
“MacKenzie has mobilised his formidable knowledge of the many
dimensions of an imperial culture rooted in racial hierarchies and
designed to secure white power—from ceremonials and sports to the
arts and the press—to tell a dynamic story of how colonised and
indigenous peoples challenged and disrupted these practices,
reconfiguring them to new purposes for new times.”—Catherine Hall,
author of Macaulay and Son
“Makes a compelling case for the reassessment of Britain’s
‘informal imperialism’ through various forms of culture. This is
the definitive work on the reproduction, imposition, appropriation,
and reinvention of British culture in the Empire at large.”—Souvik
Naha, University of Glasgow
“MacKenzie’s deep scholarship, honed over a lifetime of pioneering
work, is on dazzling show in this lively survey of imperial culture
and cultural imperialism. His timely reminder that protest against
commemorative statuary is far from new is just one of the important
insights sprinkled throughout this important work.”—Philippa
Levine, author of The British Empire
“MacKenzie is one of the most influential imperial historians of
all times. This magnum opus is the perfect capstone for those
familiar with his work, and the essential introduction for readers
exploring British imperial culture for the first time.”—Ashley
Jackson, author of Mad Dogs and Englishmen
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