Table of Contents

Introduction: Genealogies and Constellations 1. Death Disco to Disco Infiltrator: Spaces and Times of Dance-Punk 2. Dry Drums and Angular Guitars: Dance-Punk as Genre 3. Us v. Them: Dance-Punk and the “Other” Conclusion: Losing Its Edge: Whither Dance-Punk 10 Essential Tracks

Promotional Information

Guides readers through dance-punk, a sub-genre of post-punk, drawing from the historical and cultural conditions surrounding the genre in the 1970s and early 1980s, and then again in the early 2000s.

About the Author

Larissa Wodtke works in the Office of Research and Innovation at The University of Winnipeg, Canada, where she is also a member of the Centre for Research in Cultural Studies. She has published research on popular music, memory, irony, temporality, labour, neoliberalism, and digital texts, including co-authoring the book Triptych: Three Studies of Manic Street Preachers’ The Holy Bible (2017).