The bestselling author of LULLABY and CHOKE continues his twenty-first century reinvention of the horror novel in this homage to Rosemary's Baby.
Chuck Palahniuk is the author of fourteen best-selling novels - Beautiful You, Doomed, Damned, Tell-All, Pygmy, Snuff, Rant, Haunted, Diary, Lullaby, Choke, Invisible Monsters, Survivor, and Fight Club. He is also the author of Fugitives and Refugees and the non-fiction collection Stranger Than Fiction. He lives in the Pacific Northwest. Visit him on the web at chuckpalahniuk.net.
His most scarily nihilistic and resonant book since Fight Club
*Independent on Sunday*
Like a noxious Douglas Coupland, Palahniuk charts new-felt and
totally contemporary categories of despair
*Guardian*
A nihilistic masterpiece
*NME*
Part Rosemary's Baby, part The Wicker Man... The shocks are
shocking and the twists nice and taut
*Time Out*
A truly terrifying horror story with some interestingly radical
underpinnings
*I-D*
With a first page that captures the reader hook, line and sinker, Palahniuk (Choke; Lullaby) plunges into the odd predicament of Waytansea Island resident and ex-art student Misty Marie Kleinman, whose husband, Peter, lies comatose in a hospital bed after a suicide attempt. Rooms in summer houses on the mainland that Peter has remodeled start to mysteriously disappear-"The man calling from Long Beach, he says his bathroom is missing"-and Misty, with the help of graphologist Angel Delaporte, discovers that crude and prophetic messages are scrawled across the walls and furniture of the blocked-off chambers. In her new world, where every day is "another longest day of the year," Misty suffers from mysterious physical ailments, which only go away while she is drawing or painting. Her doctor, 12-year-old daughter and mother-in-law, instead of worrying about her health, press her to paint more and more, hinting that her art will save exclusive Waytansea Island from being overrun by tourists. In the meantime, Misty is finding secret messages written under tables and in library books from past island artists issuing bold but vague warnings. With new and changing versions of reality at every turn, the theme of the "tortured artist" is taken to a new level and "everything is important. Every detail. We just don't know why, yet." The novel is something of a departure for Palahniuk, who eschews his blighted urban settings for a sinister resort island, but his catchy, jarring prose, cryptic pronouncements and baroque flights of imagination are instantly recognizable, and his sharp, bizarre meditations on the artistic process make this twisted tale one of his most memorable works to date. (Aug. 26) Forecast: Doubleday's marketing plan for Palahniuk is appropriately surreal-"street team guerrilla marketing" will supplement the usual advertising and author tour routine. The book's premise, relatively sedate at first glance, may make it a harder sell than previous novels, but once readers pick it up, they won't be able to put it down. Copyright 2003 Reed Business Information.
His most scarily nihilistic and resonant book since Fight Club *
Independent on Sunday *
Like a noxious Douglas Coupland, Palahniuk charts new-felt and
totally contemporary categories of despair -- Ali Smith * Guardian
*
A nihilistic masterpiece * NME *
Part Rosemary's Baby, part The Wicker Man... The shocks are
shocking and the twists nice and taut * Time Out *
A truly terrifying horror story with some interestingly radical
underpinnings * I-D *
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