Catriona MacLeod: Introduction
Summaries
Union
Michael R. Taylor: Consulting the Manual: Word and Image in Marcel
Duchamp’s Étant donnés
Adriana Dragomir: Living and Dying in the Limelight: Performing the
Self in Frida Kahlo’s Diary and Paintings
Laurence Wuidar: Imbrication de l’image, du texte et de la musique
dans un corpus de prières énigmatiques à la Vierge
Cordula Grewe: The Künstlerroman as Romantic Arabesque: Parody,
Collaboration, and the Making of The Modern Vasari (1854)
Karen E. Brown: The “Inscapes” of Louis le Brocquy
Robert Grant: American Scenery/Canadian Scenery: Conflicting Views
of Indigenes in Mid-Nineteenth-Century British Portrayals of the
American Continent
Miriam Harris: Cartoonists as Matchmakers: The Vibrant Relationship
of Text and Image in the Work of Lynda Barry Conflict
Steen Christiansen: The Truth of the Word, the Falsity of the
Image: Transmetropolitan’s Critique of the Society of the
Spectacle
Danielle Leenaerts: Le magazine français Vu (1928–40): Naissance de
l’information visuelle et utopie de la substitution de l’image
photographique au texte écrit
Hubert Locher: From Ekphrasis to History: Verbal Transformations of
the Display of Picture Galleries—Wilhelm Heinse and Friedrich
Schlegel
Lauren S. Weingarden: Modernizing History and Historicizing
Modernity: Baudelaire and Baudelairean Representations of
Contemporaneity
Valentin Nussbaum: Serial Künstler: Portrait of the Artist as a
Malefactor
Jonathan Marshall: Hypnotic Performance and the Falsity of
Appearances: The Aesthetics of Medical Spectatorship and Axel
Munthe’s Critique of Jean-Martin Charcot
Experiment
Susana Oliveira: New Light and Old Shadows: Industrial Illumination
and its Imaginaire
Jennifer A. Greenhill: Illustrating the Shadow of Doubt: Henry
James, Blindness, and “The Real Thing”
Eric T. Haskell: Picturing Paradise: Baudelaire’s “L’Invitation au
voyage”
Julia Friedman: The Writing-Drawing Continuum of Alexei Remizov
Spyros Papapetros: Aby Warburg as Reader of Gottfried Semper:
Reflections on the Cosmic Character of Ornament
Cristina Cuevas-Wolf: John Heartfield’s Insects and the “Idea” of
Natural History
María DeGuzmán: The Photographic Thought of Latina/o Literature and
Cultural Critique
Susan Nurmi-Schomers: Diderot, Brecht, Eisenstein, Fassbinder:
Découpage Aesthetics on the Divide
Birgit Mersmann: (Ideo-)Logical Alliances between Image and Script:
Calligraphic Reconfigurations in Contemporary Chinese Art
Contributors
Index
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