As the population bulge of the Baby Boomer's children arrives at the teen years, publishers and librarians are scurrying to meet the radically different needs of the Net Generation. This collection of essays, talks, editorials, and rants by Marc Aronson are sure to dissipate inertia and frustration, even as they rejuvenate the perennially young at heart.
As the population bulge of the Baby Boomer's children arrives at the teen years, publishers and librarians are scurrying to meet the radically different needs of the Net Generation. This collection of essays, talks, editorials, and rants by Marc Aronson are sure to dissipate inertia and frustration, even as they rejuvenate the perennially young at heart.
Chapter 1 Foreword by Bruce Brooks Chapter 2 Acknowledgments Chapter 3 Introduction Chapter 4 1 "The YA Novel Is Dead" and Other Fairly Stupid Tales Chapter 5 2 The Three Faces of Multiculturalism Chapter 6 3 The Challenge and the Glory of YA Literature Chapter 7 4 The Journals Judged Chapter 8 5 How Adult Is Young Adult? Chapter 9 6 We Have Nothing to Lose but Our Isolation Chapter 10 7 When Coming of Age Meets the Age That's Coming: One Editor's View of How Young Adult Publishing Developed in America Chapter 11 8 Exploring the Basement: The Artistic Challenge of YA Literature Chapter 12 9 What Is Real about Realism? All the Wrong Questions about YA Literature Chapter 13 10 The Power of Words Chapter 14 11 The Myths of Teenage Chapter 15 12 Calling All Ye Printz and Printzesses Chapter 16 13 Puff the Magic Dragon: How the Newest Young Adult Fiction Grapples with a World in Upheaval Chapter 17 14 What is YA, and What Is Its Future: Voice, Form, and Access— A Dialogue with Jacqueline Woodson Chapter 18 Index Chapter 19 About the Author
Marc Aronson is Editorial Director and Vice-President of Non-Fiction Content Development at Carus Publishing company and has written widely on young adult literature.
...this provocative collection of speeches and previously published
essays challenges those who work with teenagers and their reading
to shift paradigms, shatter illusions, and examine the essence of
young adult literature...Librarians, teachers, students and
professors of adolescent literature, publishers, editors, and
authors need to read and contemplate this worthy companion to
Michael Cart's excellent From Romance to Realism: 50 Years of
Growth and Change in Young Adult Literature (HarperCollins,
1996).
*VOYA*
This collection of essays gives the reader a banquet for thought
when exploring significant issues about the young adult reader. The
author has done his homework and makes a convincing case that
challenges librarians, teachers, and parents...interesting
suggestions to help us deal with problematic categorizing....Anyone
who has been alarmed by the content of YA novels should read this
book and be prepared to find some new truths that may somewhat
alter existing opinion. A thought-provoking book for professionals.
This would be an excellent choice for a book talk among teachers
and librarians in middle school and high schools.
*Shylibrarian.Com*
...will be of interest to librarians, teachers, writers, and
parents...this thought-provoking collection should not be
missed.
*School Library Journal*
This book would be valuable as a professional reference and
discussion starter for small groups and classes.
*The Book Report*
...thought provoking and informative... Exploding the Myths is a
useful addition to resources on teenagers and their reading.
*Orana*
As a YA publisher, editor, writer, and critic, Aronson is an
eloquent, passionate advocate for high-quality YA books. The
collection comprises 13 of his speeches and articles from the past
six years, including "The Challenge and the Glory of YA
Literature," which originally appeared in Booklist. He opens up the
intense arguments about censorship, audience (how adult is young
adult?), authenticity, popularity versus quality, and more. He
talks about demographics (the huge rise in the teenage population,
with fastest growth among Hispanics, African Americans, and Asian
Americans), YA publishing history (how the YA novel started, where
it's going now), the criteria for the Michael L. Printz Award, and
how to reach teen readers. His style is clear, chatty, and tough.
Whether talking about the graphic novel, poetry, magic realism, or
gritty contemporary fiction, he shows that teenagers today are
often more open to challenge and diversity in narrative and format
than their adult guardians are. What many librarians think is
"popular" is often condescending. Whether you agree with Aronson or
not, you'll be caught up in issues that matter. A great starting
place for YA literature classes.
*Booklist, 3/15/2001*
Erudite and intellectually challenging. Aronson uses anecdote and
felt experience to inform highly sustained arguments which are
innovative and arresting.
*Viewpoint On Books For Young Adults*
Gives an important orientation to the issues and questions that
have concerned those who have been interested in young adult books
over the last decade...Aronson makes the case that YA literature is
as valuable to young readers as "Literature," with the capital L,
is to adults.
*Children's Literature Association Quarterly*
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