Table of Contents
List of Illustrations
Acknowledgments
Introduction: Dusting Off the Souvenir
RHONA RICHMAN KENNEALLY and JOHANNE SLOAN
PART ONE: THE MATERIAL CULTURE OF
NATIONHOOD
'The greatest Dining extravaganza in Canada's history': Food,
Nationalism, and Authenticity at Expo 67
RHONA RICHMAN KENNEALLY
'Britain Today' at Expo 67
ELIZABETH DARLING
'Une terre humaine': Expo 67, Canadian Women, and
Chatelaine/Châtelaine
EVA-MARIE KRÖLLER
PART TWO: BECOMING MODERN
O bsolescence as Progress and Regression: Technology,
Temporality, and Architecture at Expo 67
TOM MCDONOUGH
The Ambiguous Modernity of Designer Julien Hébert
MARTIN RACINE
Girl Watching at Expo 67
AURORA WALLACE
PART THREE: VISUAL TRANSACTIONS
Into the Labyrinth: Phantasmagoria at Expo 67
BEN HIGHMORE
The Christian Pavilion at Expo 67: Notes from Charles Gagnon's
Archive
MONIKA KIN GAGNON
Andy Warhol at Expo 67: Pop In and Pop Out
JEAN-FRANÇOIS CÔTÉ
Postcards and the Chromophilic Visual Culture of Expo 67
JOHANNE SLOAN
PART FOUR: URBAN EXPERIENCE
Montreal and the Megastructure, ca 1967
INDERBIR SINGH RIAR
Brian Jungen: Habitat 04
KITTY SCOTT
Tabloid Expo
WILL STRAW
Contributors
About the Author
Rhona Richman Kenneally is an associate professor in the Department
of Design and Computation Arts at Concordia University. Johanne
Sloan is an associate professor in the Department of Art History at
Concordia University.
Reviews
This collection of essays represents the culmination of an
original and fascinating project
Expo 67 is a nuanced, cohesive,
lively book which should appeal to a broad audience of scholars
across several disciplines. I warmly recommend it.
*Faye Hammill; British Journal of Canadian Studies: vol
24:02:2011*
