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Isn't it nice to know that there's someone who always lets you go at your own speed?
Everybody is in such a hurry--mothers and fathers, sisters and brothers, even cars and buses. But when Grandfather's around, nobody needs to hurry. There's always time to stop...and look...just as long as you like.
This gentle story about the warm, happy relationship between the oldest and youngest ones in the family is now freshly illustrated by the internationally acclaimed Jan Ormerod,
"The special bond between grandparent and grandchild comes shining through." (Booklist)
Isn't it nice to know that there's someone who always lets you go at your own speed?
Everybody is in such a hurry--mothers and fathers, sisters and brothers, even cars and buses. But when Grandfather's around, nobody needs to hurry. There's always time to stop...and look...just as long as you like.
This gentle story about the warm, happy relationship between the oldest and youngest ones in the family is now freshly illustrated by the internationally acclaimed Jan Ormerod,
"The special bond between grandparent and grandchild comes shining through." (Booklist)
Helen E. Buckley, author of Grandfather and I, Grandmother and I,
and Where Did Josie Go?, lives in Bradenton, Florida, and Pulaski,
New York. Jan Omerod, author-artist of Who's Whose?, Ben Goes
Swimming, and Emily Dances, who also illustrated Sky Dancer by Jack
Bushnell, lives in Cambridge, England. In Her Own Words..."I grew
up in the fifties, in a series of small towns in Western Australia,
with three older sisters. As a child I drew constantly and
compulsively, inspired by beautifully drawn schoolgirl annuals from
England. I secretly devoured forbidden American comics, poring over
the draughtsmanship.
"I went to art school at a time when the practice of drawing was
regarded as the underpinning of all activity in the visual
arts'coming to know' by looking closely and recording honestly. All
my options took me into the fine arts--drawing, painting, and
sculpture. I was obsessed with the human face, figure, and gesture.
I became an Associate of the Western Australian Institute of
Technology and Design in Art Education and taught art in secondary
schools on enrichment programs for talented students, then lectured
in a teachers college and in art schools.
"As a young woman I was not very maternal, and intended not to have
children. My first pregnancy was entirely unplanned. My books have
largely been a celebration and savoring of the positive experience
of parenthood I had not anticipated-the fun, warmth, and love.
Designing picture books for young children, I am aware that such
books are almost always shared by the child and a caring adult. I
find the challenge of communicating with both child and
adult-working on two levels in one book--a demanding, intriguing
and rewarding task. I design picture books for children and adults
because I depend on the adult to create the right atmosphere and
help children read them. When this happens, it is a time for
physical closeness and comfort, a quiet time for sharing ideas and
feelings, for laughing and learning together. Anyone who takes time
to share books with young children is rewarded and revitalized by
the experience every time.
"My task as a visual storyteller is to observe, record, and edit.
Some images go straight from life into a book. Most need to be
carefully sifted, reinvented, reorganized. Telling a story with
words and pictures is a little like watching a movie, then
selecting the evocative moment like a still taken from a film. I
need to capture the moment that has clarity and simplicity, invites
empathy, and allows the reader to bring her own knowledge to that
moment, to enrich it, and develop it according to her own life
experiences.
"I now live in Cambridge, England with my two daughters, Sophie and
Laura. We return to Australia to be with my family and friends as
often as we can."
PreS-K-Rejoice! Buckley's classic tales are back in print with an updated look that is sure to send grandparents of the '90s scurrying to their local bookstores or libraries. Gone is the white bread look of Paul Galdone's beloved but dated illustrations. Instead, Ormerod's full-color paintings teem with the warmth of a loving intergenerational family and fairly burst from the pages. Her fine pencil-and-watercolor illustrations capture the calm and giving nature of these grandparents and reveal what is special about their relationships with their grandchildren. Ormerod is equally successful when picturing the busy details of life in these African-American families. Siblings gladly read to a young sister and hurrying parents rush off with a hug and a smile (no parental frowns in this family). Buckley's original stories stand the test of time beautifully and remain basically intact. In Grandfather and I, a young boy relishes the time that he and his grandfather share exploring the world around them while others hurry to their appointed tasks, and a preschool girl enjoys the warm comfort of her grandmother's lap and rocking chair in Grandmother and I. Two rejuvenated stories that are tailor-made for cozy reading.-Jeanne Marie Clancy, Upper Merion Township Library, King of Prussia, PA
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