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How We Became Human
New and Selected Poems 1975-2002

Rating
1,254 Ratings by Goodreads
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Format
Paperback, 272 pages
Published
United States, 1 January 2004

This collection gathers poems from throughout Joy Harjo's twenty-eight-year career, beginning in 1973 in the age marked by the takeover at Wounded Knee and the rejuvenation of indigenous cultures in the world through poetry and music. How We Became Human explores its title question in poems of sustaining grace.


Joy Harjo is a member of the Muscogee (Creek) Nation. She is the author of nine poetry collections and two memoirs, most recently Poet Warrior. The recipient of the 2017 Ruth Lilly Poetry Prize, she lives in Tulsa, Oklahoma.


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Product Description

This collection gathers poems from throughout Joy Harjo's twenty-eight-year career, beginning in 1973 in the age marked by the takeover at Wounded Knee and the rejuvenation of indigenous cultures in the world through poetry and music. How We Became Human explores its title question in poems of sustaining grace.


Joy Harjo is a member of the Muscogee (Creek) Nation. She is the author of nine poetry collections and two memoirs, most recently Poet Warrior. The recipient of the 2017 Ruth Lilly Poetry Prize, she lives in Tulsa, Oklahoma.

Product Details
EAN
9780393325348
ISBN
0393325342
Writer
Age Range
Dimensions
23.1 x 15.2 x 2 centimeters (0.31 kg)

About the Author

Joy Harjo is an internationally known performer and writer of the Mvskoke/Creek Nation, the author of ten books of poetry and, most recently, a memoir, Crazy Brave. A critically acclaimed poet, her many honors include a Guggenheim Fellowship, the Josephine Miles Poetry Award, the William Carlos Williams Award, and the American Indian Distinguished Achievement in the Arts Award. She lives in Tulsa, Oklahoma.

Reviews

"Show[s] the remarkable progression of a writer determined to reconnect with her past and make sense of her present, drawing together the brutalities of contemporary reservation life with the beauty and sensibility of Native American culture and mythology....Alive with compassion, pain and love, this book is unquestionably an act of kindness."
*Publishers Weekly*

"I turn and return to Harjo's poetry for her breathtaking complex witness and for her world-remaking language."
*Adrienne Rich*

"Show[s] the remarkable progression of a writer determined to reconnect with her past and make sense of her present, drawing together the brutalities of contemporary reservation life with the beauty and sensibility of Native American culture and mythology....Alive with compassion, pain and love, this book is unquestionably an act of kindness." -- Publishers Weekly
"I turn and return to Harjo's poetry for her breathtaking complex witness and for her world-remaking language." -- Adrienne Rich

A quarter-century's work demonstrates both the difficulties and release of voicing a culture under siege. Harjo's selections from six previous books from The Last Song (1975) to A Map to the Next World: Poems and Tales (2000), show the remarkable progression of a writer determined to reconnect with her past and make sense of her present, drawing together the brutalities of contemporary reservation life with the beauty and sensibility of Native American culture and mythology: "But I imagined her like this, not a stained red dress with tape on her heels but the deer who entered our dream in white dawn, breathed mist into pine trees, her fawn a blessing of meat, the ancestors who never left." At times, the juxtaposition of the two carries an almost visceral power of regenerative rhythm, most powerfully in the poems from She Had Some Horses: "She had horses who liked Creek Stomp Dance songs. She had horses who cried in their beer. She had horses who spit at male queens who made them afraid of themselves. She had horses who said they weren't afraid. She had horses who lied. She had horses who told the truth, who were stripped bare of their tongues." Such moments have a decided a political piquancy. Harjo, who belongs to the Muscogee Nation, includes a long introduction, as well as extensive notes on the origins of and elements in each poem, and contends that poetry is not only a way to save the sanity of those who have been oppressed to the point of madness, but that it is a tool to rebuild communities and, ultimately, change the world: "All acts of kindness are lights in the war for justice." Alive with compassion, pain and love, this book is unquestionably an act of kindness. (June) Copyright 2002 Cahners Business Information.

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