Far from the least deployed weapons in America's fighting the Cold War were Hollywood movies, Elvis Presley and rock & roll. The paradox of socially sanctioned rebellion was especially evident in the Hollywood propaganda for the new music and its king. Stereotypes of a stoic international communist revolution were readily undermined by the hedonistic cultural agenda of the western world. Though not unique to Presley's movies, they imply that liberal democracy is a superior form of social and political organization because it allows the individual to have more pleasure. Yet even in their advocacy of pleasure, the Presley movies are narrowly prescriptive in terms of what constitutes pleasure. While capitalizing on Presley's rock & roll stardom by turning him into a movie star might have been inevitable, several of his movies hinge on asking the question of not who but what is Elvis Presley. At a less immediately politically instructive level, as per early movie propaganda for rock & roll, Presley's movies are lessons on loving him and, perhaps, why it's dangerous not to. The 31 critiques of each Elvis Presley film presented in this book chronicle his active, ongoing role in being a Cold Warrior, a G-rated ambassador for the emerging sexual revolution and an entertainer of inverse relevance to the 1960's counterculture.
Far from the least deployed weapons in America's fighting the Cold War were Hollywood movies, Elvis Presley and rock & roll. The paradox of socially sanctioned rebellion was especially evident in the Hollywood propaganda for the new music and its king. Stereotypes of a stoic international communist revolution were readily undermined by the hedonistic cultural agenda of the western world. Though not unique to Presley's movies, they imply that liberal democracy is a superior form of social and political organization because it allows the individual to have more pleasure. Yet even in their advocacy of pleasure, the Presley movies are narrowly prescriptive in terms of what constitutes pleasure. While capitalizing on Presley's rock & roll stardom by turning him into a movie star might have been inevitable, several of his movies hinge on asking the question of not who but what is Elvis Presley. At a less immediately politically instructive level, as per early movie propaganda for rock & roll, Presley's movies are lessons on loving him and, perhaps, why it's dangerous not to. The 31 critiques of each Elvis Presley film presented in this book chronicle his active, ongoing role in being a Cold Warrior, a G-rated ambassador for the emerging sexual revolution and an entertainer of inverse relevance to the 1960's counterculture.
Describing himself as a painter who knocked around university long enough to pick up some writing chops, Mark Jaskela has an interdisciplinary background. A longtime movie buff, his interest in ideological criticism of popular culture emerged through his undergraduate study of art history. Many of his briefer writing projects in recent years have veered in a more explicitly political direction when he served with the current events ministry at his church. In his spare time, he's also an online political cartoonist
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