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Joe Quinn's Poltergeist
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About the Author

David Almond has received numerous awards, including a Hans Christian Andersen Award, a Carnegie Medal, and a Michael L. Printz Award. He is the author of Skellig, Clay, and many other stories, including Harry Miller’s Run, illustrated by Salvatore Rubbino; The Savage, Slog’s Dad, and Mouse Bird Snake Wolf, all illustrated by Dave McKean; and My Dad’s a Birdman and The Boy Who Climbed Into the Moon, both illustrated by Polly Dunbar. David Almond lives in England.

Dave McKean is an illustrator whose work has been awarded a Nestlé Smarties Children’s Book Prize Gold Medal and been honored as a New York Times Book Review Best Illustrated Children's Book of the Year. He has illustrated many children’s books, including Neil Gaiman’s The Day I Swapped My Dad for Two Goldfish, Coraline,and the Newbery Medal–winning The Graveyard Book, as well as three critically acclaimed collaborations with David Almond. Dave McKean lives in England.

Reviews

The art amplifies the characteristically dark, rich tones of Almond's prose all the way to a final Dylan Thomas-style promise that "the world and all that's in it will continue to…hold us in its darkness and its light."... A keen collaboration moving seamlessly between worlds inner and outer, natural and supernatural.
—Kirkus Reviews (starred review)

This throws Joe into an existential funk, expertly rendered in McKean’s dark, mixed-media illustrations, where overlapping, scribbled sketches embody confusion and conflict, jarring collages evoke an unsettled atmosphere, and negative space echoes absence and haunting memories. Joe navigates his inner turmoil, including grief and religious confusion, forming earnest revelations about life’s poltergeists (i.e., disruptions) and finding peace.
—Booklist

McKean restores a sense of compromised hope to complement Almond’s conclusion through a mix of dark greens with a smidge of yellow light above Davie’s head and the town itself, making this a marvelous lesson in visual metaphor as well as a thought-provoking horror story.
—Bulletin of the Center for Children's Books

McKean’s frenetic, ever-shifting mixed-media illustrations dramatically convey Davie’s experiences and story’s vivid characters, evoking a distinct sense of disquiet, while Almond’s text propels the plot and provides deeper meaning. Gripping and philosophical, this collaboration will prompt discussion.
—Publishers Weekly

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