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MOTIVES FOR FICTION

Rating
Format
Hardback, 248 pages
Published
United States, 1 July 1990

?For many serious readers,? Robert Alter writes in his preface, ?the novel still matters, and I have tried here to suggest some reasons why that should be so.? In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers.

Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue.

Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

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Product Description

?For many serious readers,? Robert Alter writes in his preface, ?the novel still matters, and I have tried here to suggest some reasons why that should be so.? In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers.

Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue.

Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

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Product Details
EAN
9780674587625
ISBN
0674587626
Dimensions
24.4 x 15.7 x 2.5 centimeters (0.54 kg)

Table of Contents

I. Fiction and Reality * Mimesis and the Motive for Fiction * History and the New American Novel * The American Political Novel * The Real and Imaginary Worlds of Norman Mailer * Nabokov and the Art of Politics * Ada, or the Perils of Paradise * Tristrant Shandy and the Game of Love * The Demons of History in Dickens's Tale * Flaubert Through His Letters * Proust and the Ideological Reader * Borges, Stevens, and Post-Symbolist Writing * Daniel Martin and the Mimetic Task II. The Stances of Criticism * The American Edmund Wilson * Literature and Ideology in the Thirties * The Education of Alfred Kazin * Literary Lives * Notes * Credits * Index

About the Author

Robert Alter is Professor of Hebrew and Comparative Literature at the University of California, Berkeley. He is the author of numerous critical works, including the prize-winning The Art of Biblical Narrative.

Reviews

With refreshing modesty and directness, [Alter] addresses large and important issues… There is a verve, and even a sting, in his prose, but his judgments are fair.
*New Republic*

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