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Taste has traditionally been considered beneath the concern of philosophy - too bound to the body, too personal and idiosyncratic. In this volume, Carolyn Korsmeyer explains how taste came to occupy so low a place and why it is deserving of greater philosophical respect and attention. Korsmeyer begins with the Greek thinkers who classified taste as an inferior, bodily sense; she then traces the parallels between notions of aesthetic and gustatory taste that were explored in the formation of modern aesthetic theories. She presents scientific views of how taste actually works and identifies multiple components of taste experiences. Turning to taste's objects - food and drink - she looks at the different meanings they convey in art and literature as well as in ordinary human life and proposes an approach to the aesthetic value of taste that recognizes the representational and expressive roles of food. Korsmeyer's consideration of art encompasses works that employ food in sacred and profane, that seek to whet the appetite and to keep it at bay; her selection of literary vignettes ranges from narratives of macabre devouring to stories of communities forged by shared eating.
Taste has traditionally been considered beneath the concern of philosophy - too bound to the body, too personal and idiosyncratic. In this volume, Carolyn Korsmeyer explains how taste came to occupy so low a place and why it is deserving of greater philosophical respect and attention. Korsmeyer begins with the Greek thinkers who classified taste as an inferior, bodily sense; she then traces the parallels between notions of aesthetic and gustatory taste that were explored in the formation of modern aesthetic theories. She presents scientific views of how taste actually works and identifies multiple components of taste experiences. Turning to taste's objects - food and drink - she looks at the different meanings they convey in art and literature as well as in ordinary human life and proposes an approach to the aesthetic value of taste that recognizes the representational and expressive roles of food. Korsmeyer's consideration of art encompasses works that employ food in sacred and profane, that seek to whet the appetite and to keep it at bay; her selection of literary vignettes ranges from narratives of macabre devouring to stories of communities forged by shared eating.
Introduction
Chapter 1: The Hierarchy of the Senses
Chapter 2: Philosophies of Taste: Aesthetic and Nonasethetic Senses
Chapter 3: The Science of Taste
Chapter 4: The Meaning of Taste and the Taste of Meaning
Chapter 5: The Visual Appetite: Representing Taste and Food
Chapter 6: Narratives of Eating
Index
Carolyn Korsmeyer is the author or editor of several books in aesthetics and philosophy of art, feminist philosophy, and emotion theory, including Savoring Disgust: The Foul and the Fair in Aesthetics (2011) and Things: In Touch with the Past (2019).
A book about how the divergent histories of taste and Taste have
left us with an impoverished understanding of the former—and thus a
deep skepticism about the aesthetic worth of food. Carolyn
Korsmeyer suggests that her project will illuminate readers'
understanding of food—and observes that it might well illuminate
our understanding of art as well. She succeeds on both counts.
*Hypatia*
Anyone who critiques philosophy's 'venerable preoccupation with the
'mind' over the 'body' and 'matters of universal concern over
particular experiences,' should read this book for the approach
Korsmeyer uses to make her argument. Personally, I would add that
anyone who thinks, who thinks about eating or drinking, who who
even eats or drinks, should read it, too.
*Leonardo*
In this thoroughly researched, well-organized, tightly argued,
clearly-written, and stylistic book, Carolyn Korsmeyer has
presented enough food for thought to keep all but the most jaded
aestheticians engaged for many happy hours.
*Journal of Aesthetics and Art Criticism*
It is to Korsmeyer's credit... that she has presented so strong a
version of a philosophy of interpretation and shown how well it can
be applied to food. As she insightfully establishes, philosophical
tradition has not been able to find a place for gustatory taste
within its framework, and it is a virtue of Korsmeyer's eloquent
little study that she establishes a strong possibility for a
cognitively rich philosophy of food.
*Gastronomica*
Of the five senses, two—sight and hearing—were higher and lent
themselves to aesthetic perception, while the remaining
three—touch, taste and smell—were lower and non-aesthetic senses.
Korsmeyer, in this sensitive and judicious book, explores and
exposes the errors misinforming this conventional ranking.... This
is an illuminating book.
*British Journal of Aesthetics*
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