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Music and Its Secret ­Influence
Throughout the Ages
By Cyril Scott, Desmond Scott (Introduction by)

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Format
Paperback, 224 pages
Published
United States, 1 January 2013



Introduction by Desmond Scott



Part I

Preliminary

What Is Inspiration?



Preface




1 The Problem of Musicality

2 The Problems of Pure Music and Soloism

3 The Problems of Inspiration and Invention

4 Inspired and Uninspired Composers

5 The Esoteric Source of This Book

6 The Effects of Sound and Music



Part II

Biographical, Analytical, Aesthetical

The Influence of Genius on Daily Life



7 George Frederick Handel and the Victorian Era

8 Comparisons between the Influence of Handel and Bach

9 Beethoven, Sympathy and Psychoanalysis

10 The Mendelssohnian Sympathy

11 Frédéric Chopin, the Apostle of Refinement

12 Chopin, the Pre-Raphaelites and the Emancipation of Women

13 Robert Schumann and the Child-Nature

14 The Effects of Wagner’s Music

15 Richard Strauss and Individualism



Part III

Esoteric Considerations

The Music of the Deva or Nature-Spirit Evolution



16 Musicians and the Higher Powers

17 The Occult Constitution of Man

18 César Franck, the Bridge between the Humans and the Devas

19 Grieg, Tchaikovsky, and Delius

20 Debussy and Ravel

21 Scriabin, a Deva-Exponent

22 The Ultra-Discordants and Their Effects

23 Moussorgsky and the Sublimation of Ugliness

24 Popular Music and Its Various Effects

25 Musicians and Their Subtler Bodies



Part IV

Historical

Melody and Harmony from Pre-Egyptian Times to Nineteenth-Century England



26 The Beginnings of Music and Religion

27 Effects of Music on the Indian People

28 The Music and Character of the Ancient Egyptians

29 The Greeks and Their Music

30 The Romans and Their Music

31 Effects of Descant and the Folk Song

32 Polyphony and Its Effects

33 Music and the Reformation

34 The Music of the Seventeenth and Eighteenth Centuries

35 A Cursory View of Musical Effects in England from the Pre-Elizabethan Days to Those of Handel



Part V

Some Occult Prognostications

Toward Beauty and Mystery



36 The Music of the Future



Notes



Bibliography



Index

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Product Description



Introduction by Desmond Scott



Part I

Preliminary

What Is Inspiration?



Preface




1 The Problem of Musicality

2 The Problems of Pure Music and Soloism

3 The Problems of Inspiration and Invention

4 Inspired and Uninspired Composers

5 The Esoteric Source of This Book

6 The Effects of Sound and Music



Part II

Biographical, Analytical, Aesthetical

The Influence of Genius on Daily Life



7 George Frederick Handel and the Victorian Era

8 Comparisons between the Influence of Handel and Bach

9 Beethoven, Sympathy and Psychoanalysis

10 The Mendelssohnian Sympathy

11 Frédéric Chopin, the Apostle of Refinement

12 Chopin, the Pre-Raphaelites and the Emancipation of Women

13 Robert Schumann and the Child-Nature

14 The Effects of Wagner’s Music

15 Richard Strauss and Individualism



Part III

Esoteric Considerations

The Music of the Deva or Nature-Spirit Evolution



16 Musicians and the Higher Powers

17 The Occult Constitution of Man

18 César Franck, the Bridge between the Humans and the Devas

19 Grieg, Tchaikovsky, and Delius

20 Debussy and Ravel

21 Scriabin, a Deva-Exponent

22 The Ultra-Discordants and Their Effects

23 Moussorgsky and the Sublimation of Ugliness

24 Popular Music and Its Various Effects

25 Musicians and Their Subtler Bodies



Part IV

Historical

Melody and Harmony from Pre-Egyptian Times to Nineteenth-Century England



26 The Beginnings of Music and Religion

27 Effects of Music on the Indian People

28 The Music and Character of the Ancient Egyptians

29 The Greeks and Their Music

30 The Romans and Their Music

31 Effects of Descant and the Folk Song

32 Polyphony and Its Effects

33 Music and the Reformation

34 The Music of the Seventeenth and Eighteenth Centuries

35 A Cursory View of Musical Effects in England from the Pre-Elizabethan Days to Those of Handel



Part V

Some Occult Prognostications

Toward Beauty and Mystery



36 The Music of the Future



Notes



Bibliography



Index

Show more
Product Details
EAN
9781594774874
ISBN
1594774870
Dimensions
22.8 x 15.3 x 1.8 centimeters (0.28 kg)

Table of Contents


Introduction by Desmond Scott

Part I
Preliminary
What Is Inspiration?

Preface


1 The Problem of Musicality
2 The Problems of Pure Music and Soloism
3 The Problems of Inspiration and Invention
4 Inspired and Uninspired Composers
5 The Esoteric Source of This Book
6 The Effects of Sound and Music

Part II
Biographical, Analytical, Aesthetical
The Influence of Genius on Daily Life

7 George Frederick Handel and the Victorian Era
8 Comparisons between the Influence of Handel and Bach
9 Beethoven, Sympathy and Psychoanalysis
10 The Mendelssohnian Sympathy
11 Frédéric Chopin, the Apostle of Refinement
12 Chopin, the Pre-Raphaelites and the Emancipation of Women
13 Robert Schumann and the Child-Nature
14 The Effects of Wagner’s Music
15 Richard Strauss and Individualism

Part III
Esoteric Considerations
The Music of the Deva or Nature-Spirit Evolution

16 Musicians and the Higher Powers
17 The Occult Constitution of Man
18 César Franck, the Bridge between the Humans and the Devas
19 Grieg, Tchaikovsky, and Delius
20 Debussy and Ravel
21 Scriabin, a Deva-Exponent
22 The Ultra-Discordants and Their Effects
23 Moussorgsky and the Sublimation of Ugliness
24 Popular Music and Its Various Effects
25 Musicians and Their Subtler Bodies

Part IV
Historical
Melody and Harmony from Pre-Egyptian Times to Nineteenth-Century England

26 The Beginnings of Music and Religion
27 Effects of Music on the Indian People
28 The Music and Character of the Ancient Egyptians
29 The Greeks and Their Music
30 The Romans and Their Music
31 Effects of Descant and the Folk Song
32 Polyphony and Its Effects
33 Music and the Reformation
34 The Music of the Seventeenth and Eighteenth Centuries
35 A Cursory View of Musical Effects in England from the Pre-Elizabethan Days to Those of Handel

Part V
Some Occult Prognostications
Toward Beauty and Mystery

36 The Music of the Future

Notes

Bibliography

Index

About the Author

Cyril Scott (1879-1970) was an English composer, writer and poet. The youngest student of his time accepted to The Hoch Conservatorium in Frankfurt, Scott was hailed at the beginning of the 20th century as the father of modern British music. He wrote several other books, including An Outline of Modern Occultism, The Great Awareness and The Initiate trilogy.

Reviews

“[Music and Its Secret Influence] provides a fine history of classical music’s evolution, the effects of specific composers on music in society, and how music holds suggestive qualities for intuitive thinking. The result is an outstanding survey linking spirituality, culture, and music history in a strong pick for any music or new age library.”
*Midwest Book Review, May 2013*

“Composer and author Cyril Scott explores the role of music in the evolution of humanity and shows how it has pushed human evolution forward. He explains that music has a profound effect on history, morals, and culture and is a more potent force in the molding of character than religious creeds or moral philosophies.”
*Monthly Aspectarian, May 2013*

“What may, at first, seem to be an insurmountable undertaking is actually an easy to read, intriguing adventure of music and spirituality, all the more important due to its historic importance as a piece of social commentary on early 1930s Britain and Europe.”
*Bruce Stringer, New Dawn, July 2013*

“Scott predicts the music of the future and how people will understand the relationship between color, sound, healing and the deva world. This book will likely appeal to anyone interested in the inner essence of music and its impact in our lives.”
*The Beacon, July 2013*

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