Not Yet by Stanley Moss is best described metaphorically- it is a freight train loaded with poetry that includes Poems on China (Stanley Moss taught English in China thirty years ago), a compartment of Two Raw Fish Poems from Japan, then there's an extra long boxcar, a lifetime of American Poems Seasoned with Chinese Experience. Finally, there's the club car, Not Yet, a section of new poems written June 20th 2020 - May 1st 2021. Not Yet includes a preface by Stanley Moss, an afterword by Fu Hao, visiting scholar of Chinese at Cambridge University. Much of the book will be translated by him into Chinese for the many millions of Chinese who read English poems.
Not Yet by Stanley Moss is best described metaphorically- it is a freight train loaded with poetry that includes Poems on China (Stanley Moss taught English in China thirty years ago), a compartment of Two Raw Fish Poems from Japan, then there's an extra long boxcar, a lifetime of American Poems Seasoned with Chinese Experience. Finally, there's the club car, Not Yet, a section of new poems written June 20th 2020 - May 1st 2021. Not Yet includes a preface by Stanley Moss, an afterword by Fu Hao, visiting scholar of Chinese at Cambridge University. Much of the book will be translated by him into Chinese for the many millions of Chinese who read English poems.
Born in New York City, STANLEY MOSS was educated at Trinity College and Yale University. He has been writing poetry for over a half-century. In addition, Moss is a private art dealer specializing in Italian and Spanish old masters, as well as the publisher and editor of The Sheep Meadow Press, a non-profit publishing house devoted to poetry. Moss lives in Clintondale and River Corners, New York.
"I have been enjoying Stanley Moss’s work ever since his first
collection The Wrong Angel finally reached England in 1969. He is
one of those very rare poets who have got better and even better as
they have grown older, as the experiences of life accumulate and
are interrogated and blessed by them. Ever since Whitman, America
has now and again produced a poet who can celebrate the abundance
of life with joy and inquisitive detail, laying his soul out naked
on the page. Moss is one of these. He is moving, surprising and
funny, with a relaxed free style that can catch you off guard and
tell you things that you didn’t know you half-knew. The new book is
full of this infectious eagerness to catch things before they go,
in a spirit of “not yet” that is not only a beautiful defiance but
a kind of mysticism of the bodily life, an ambition to redeem the
world before he is required to leave it."
—John Fuller
“Magisterial. . . . This book is magnificent. I've read it several
times with greater and greater pleasure. Its verbal generosity and
bravura, its humanity, the quality and quantity of information
which it generates into poetry of the highest order make it a
continuing delight.”
—Marilyn Hacker
“Like any sensible person, I've been reading Stanley Moss's poetry
for many years, during which time the force of his work . . . has
never diminished an iota. In our epoch of turmoil, crisis, and
grief, I find Moss's poetry still, always, brings me a little
closer to happiness.”
—Forrest Gander
“In Not Yet it seems each poem has been searching for a master
architect and wordsmith with deep feeling and practice to say it
right. The profound and mischievous topics seem to be saying to a
foreboding modern reality that Stanley Moss, a mature poet who
dares to get the questions and the answers right, that the
masterplan engages only true feeling in a state of playful
wisdom.”
—Yusef Komunyakaa
"Open Not Yet or any of Stanley Moss's books anywhere, and you will
come shockingly upon wisdom and beauty, a diversity of styles--a
unity of voice, a voice that was there since the begninning. I love
Stanley Moss's work. The pace, the strategy, the wit, the knowledge
are astonishing. Of the generation that is gradually leaving us,
those born in the mid- and late-1920s, he has a prominent place. He
loves donkeys. He owns Ted Roethke's raccoon coat. He is an
original."
—Gerald Stern
"Moss rewrites the received idea of religion and the religious
poet: his psalms may be exactly the new songs needed to illuminate
sombre new times."
—Carol Rumens, The Guardian
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