Danya Kukafka is the internationally bestselling author of Girl in Snow. She is a graduate of New York University's Gallatin School of Individualized Study. She works as a literary agent.
A killer is on death row but this is not his story. It's the
narratives of three women affected by his actions: his mother,
Lavender; his ex-wife's sister, Hazel; and the female detective,
Saffy, who tracked him down. Exploring the effects of violence by
men and the worlds that are ruined, this is a breakout book for
2022
*Stylist, Books you can’t miss in 2022*
At once blistering with righteous anger and radical empathy, Notes
on an Execution is destined to become a contemporary classic.
*Esquire*
This novel is defiantly populated with living women; it ruminates
on trauma, the criminal justice system and guilt . . . In
particular, the relationships between women - sisters, friends,
colleagues - are beautifully drawn, dense with detail and
specificity . . . Notes on an Execution is nuanced, ambitious and
compelling
*Katie Kitamura, New York Times*
Spellbinding and beautifully written. Danya Kukafka's Notes on an
Execution is an irresistible, unbearably tense thriller, a
poignant, deeply compassionate tale of resilience, and a vital
intervention in the way we talk about violent crime, its endless
reverberations and foremost its survivors.
*Megan Abbott, author of Dare Me*
A searing portrait of the complicated women caught in the orbit of
a serial killer. Notes on an Execution examines a culture that
romanticizes men who kill while also exploring the lives of the
overlooked women altered by this violence. Compassionate and
thought-provoking.
*Brit Bennett, bestselling author of The Vanishing Half*
Reading Danya Kukafka's Notes on an Execution is a profound and
staggering experience of empathy that challenges us to confront
what it means to be human in our darkest moments. The stories of
these richly drawn characters are layered like nesting dolls, each
one revealing more about how we love and how we survive. Kukafka's
prose, alive and poetic, is unforgettable. I relished every page of
this brilliant and gripping masterpiece
*Ashley Audrain, New York Times bestselling author of The Push*
Provocative, intelligent, thrilling, moving
*Paula Hawkins, author of The Girl on the Train*
This author, who was Good Housekeeping book of the year winner with
Girl In Snow, returns with a sledge-hammer of a thriller. As a
killer awaits his execution on death row, we hear from three women
affected by his actions: his mother, Lavender, his ex-wife Hazel
and the detective who caught him
*Good Housekeeping, The books we're looking forward to in 2022*
Bruising, chilling, powerful and brilliant. Notes on an Execution
is that rare book that transcends genre, moving from a deft
thriller to an examination of fractured lives and the ripples of
violent crime. Staggeringly accomplished
*Chris Whitaker, author of We Begin at the End*
Notes On An Execution is seriously important crime fiction that
trains the lens on a serial killer's victims rather than on the
criminal himself and shows how the legacy of violence endures
decades and leaves a tidal wave of collateral damage in its wake.
Kukakfa's story is unflinching and unromantic, yet wrenching and
devastating in equal measure. Never falling into the easy trap of
sensationalism, Notes On An Execution pushes women to the forefront
of a narrative that has too often overlooked them and all they
suffer
*Ivy Pachoda, author of These Women*
In Notes on an Execution, Danya Kukafka gives us something
wrenchingly original, a rare and unsettling reading experience that
challenges us to peel back what we believe about the criminal
justice system, good and evil, and what human beings are capable
of, both in darkness and in light. A moving tour de force of
empathy and insight. I loved this book.
*Paula McLain, author of The Paris Wife*
Masterly thriller . . . Kukafka skillfully uses the second-person
present tense to heighten the drama, and toward the end she makes
devastatingly clear the toll taken by Packer's killings
*Publishers Weekly, starred review*
This novel opens on the day a serial killer, Ansel, is due to be
executed. As the hours tick down, the narrative flashes back to
tell the story of his life as seen through the eyes of three women
whose lives he impacted, and complicates the popular mythos of the
serial killer archetype
*New York Times, Editor's Choice*
Unflinching, mesmerising, heartwrenching and deeply intelligent and
compassionate
*Gilly McMillan*
I'm calling it now: Notes on an Execution will feature heavily on
awards lists in 2022. It's a devastatingly moving and timely novel
about one man's crimes against women, subverting the standard
glamorised portrayal of the killer and focusing on the women
instead
*Hannah Beckerman*
Danya Kukafka's Notes on an Execution isn't like the other books
about serial killers you've read - this brilliant thriller takes
readers inside the life of Ansel Packer, who's scheduled to die in
12 hours, through the perspectives of three women: his mother, his
sister, and a homicide detective
*Marie Claire*
Notes on an Execution is a career-defining novel - powerful,
important, intensely human, and filled with a unique examination of
tragedy, one where the reader is left with a curious emotion:
hope
*USA Today*
This distinctive take turns the overdone serial killer trope on its
head, making it more palatable, more intelligent and more
emotional. Kukafka portrays a sinister man through the perspectives
of the women who knew and loved him, with subtle but shattering
truths peppered throughout
*Newsweek*
A chilling, surprisingly tender tale of how each tragedy ripples
through many lives
*Good Housekeeping US*
An intense thriller than reads like a mash-up of Law & Order and a
college psych class. The fictional story of Ansel Packer, a serial
killer on death row, is given a brilliant twist - it focuses on the
women he affected, ultimately asking why we're drawn to crime
stories about violent men. Cleverly constructed and smart, this is
the kind of book you finish with a big exhale
*Real Simple, The Best Books of 2022 So Far*
This literary suspense novel is a character study, an examination
of what it means to be a woman, a critique of the American justice
system, and much more
*Book Riot*
Danya Kukafka's Notes on an Execution deserves to stand along Ivy
Pochoda's These Women, Nicola Maye Goldberg's Nothing Can Hurt You,
and Carolyn Ferrell's Dear Miss Metropolitan as victim-focused
narratives that call out the exploitation of women's suffering in
crime stories
*CrimeReads, January’s Best New Crime Fiction*
Perfectly constructed and exquisitely written . . . This is a
serial killer novel that's more Dostoyevsky than Lars Keplar -
rich, anguished, brilliant
*Washington Post*
Kukafka upends the power dynamic of male serial killer and female
victim in a thrilling second novel . . . It is deeper, wiser, more
painful than her debut: devastating in its impact, and impossible
to look away from. I can't remember the last time I finished a
thriller in tears, not even sure by that point who my heart was
hurting for
*Observer, Thriller of the Month*
Puts the reader in the shoes of serial killer . . . to strip some
mystique from the serial-killer mythology
*Rolling Stone*
An extraordinary and powerful read . . . a book you'll read with
your hand on your chest and your breath held
*Prima*
This elegant, exquisitely written novel isn't just another story
about a serial killer and is all the better for it
*Red, Best Books of 2022*
This ambitious novel deconstructs the serial killer genre while
exploiting the conventions that make it so compulsive
*The Times*
A new kind of crime fiction. It explores the lives of the survivors
- shifting the power to those living with the consequences of
violence . . . haunting and intense
*The i*
A masterful slow burn of a novel . . . a poignant, beautifully
written and necessarily uncomfortable read
*Guardian*
A masterclass in just about everything . . . a gripping thriller .
. . a compelling character study . . . but most of all a
questioning and thoughtful look at a society that places more
emphasis on the man who kills than the women who lose their lives .
. . it achieves something I've never seen done before - it brings
the women front and centre without making them victims and asks why
we glorify men who kill. It's pretty spectacular
*Sam Baker*
![]() |
Ask a Question About this Product More... |
![]() |