Table of Contents

Contributors

Preface

1 Neuroaesthetics as a scientific discipline: An intellectual history

Martin Skov

PART 1: AESTHETIC LIKING

2 Sensory liking: How nervous systems assign hedonic value to sensory objects

Martin Skov

3 The neurobiology of liking

Eloise Stark, Kent C. Berridge and Morten L. Kringelbach

4 Disliking: From adaptive disgust to ugliness

Christoph Klebl, Michael Donner and Indra Bishnoi

5 The influence of interoceptive signals on the processing of external sensory stimuli

Alejandro Galvez-Pol, Enric Munar and James. M. Kilner

6 Neural correlates of visual aesthetic appeal

Edward A. Vessel, Tomohiro Ishizu and Giacomo Bignardi

7 Auditory pleasure elicited by music

Ernest Mas-Herrero

8 Odour aesthetics: Hedonic perception of olfactory stimuli

Gulce Nazli Dikecligil and Jay Gottfried

9 Movement appreciation

Kohinoor M. Darda, Ionela Bara and Emily S. Cross

10 The neuroscience of architecture: Beauty and behavior in the built environment

Alex Coburn, Adam Weinberger and Anjan Chatterjee

11 Sexual selection, aesthetic appreciation, and mate choice

Michael J. Ryan

12 Aesthetic sensitivity: Origin and development of an idea

Ana Clemente

13 The evolution of sensory valuation systems

Esther Ureña and Marcos Nadal

PART 2: ART

14 Perception and cognition in visual art experience

Rebecca Chamberlain

15 The music system

Amy M. Belfi and Psyche Loui

16 Watching and engaging in dance

Beatriz Calvo-Merino

17 Making sense of space: The neuroaesthetics of architecture

Zakaria Djebbara, Lars Brorson Fich and Giovanni Vecchiato

18 Literature and poetry

Arthur M. Jacobs

19 Narrative

Franziska Hartung

20 Music-evoked emotions: Their contribution to aesthetic experiences, health, and well-being

Liila Taruffi and Stefan Koelsch

21 The health benefits of art experience

Claire Howlin

22 Experiencing art in museums

Aniko Illes & Pablo P. L. Tinio

23 Context and complexity of aesthetic experiences: A neuroscientific view

Julia Crone and Helmut Leder

24 Experiencing art in social settings

Haeeun Lee and Guido Orgs

25 Top-down processes in art experience

Aenne A. Brielmann

26 Preferences need inferences: Learning, valuation, and curiosity in aesthetic experience

Sander van de Cruys, Jo Bervoets and Agnes Moors

27 Neuroscience of artistic creativity

Oshin Vartanian

28 Expertise and the brain of the performing artist

Fredrik Ullén

29 The evolution of symbolic material culture

Francesco d'Errico

30 Neuropsychology of art and aesthetics

Alejandro Dorado and Marcos Nadal

Index

About the Author

Martin Skov is Senior Researcher at Copenhagen Business School and the Danish Research Centre for Magnetic Resonance. His research focuses on understanding the neurobiological mechanisms of sensory liking. He has published extensively on neuroaesthetics, including the book Neuroaesthetics (2009) and an influential series of papers on the conceptual foundations of the field.

Marcos Nadal is Associate Professor at the Department of Psychology of the University of the Balearic Islands, Spain. His research is devoted to characterizing the psychological, neural, and evolutionary foundations of aesthetic appreciation. His contributions earned him the Baumgarten Award from the International Association of Empirical Aesthetics and the Daniel Berlyne Award from the American Psychological Association Division 10.

Reviews

"Considering how important to us are aesthetic experiences of all sorts—art, music, architecture, food and more—it is remarkable how long it took for early threads of scientific inquiry into their neural basis to start to be woven into whole cloth. This engaging handbook provides a wonderfully comprehensive overview of the current state of neuroaesthetics across modalities, across empirical and theoretical means of investigation and analysis, and across the implications for well-being and health. No serious student of the discipline should be without it."Peter Dayan, Max Planck Institute for Biological Cybernetics"In this very timely and comprehensive volume, editors Martin Skov and Marcos Nadal have brought together a wealth of empirical findings and theoretical points of view on the topic of neuroaesthetics. It’s remarkable that there is so much excellent material to cover, considering that the term neuroaesthetics itself is rather new, and the field is still nascent to some extent. But this handbook will contribute greatly to the future development and consolidation of this exciting research area by bringing together scholars and research themes that fall under its umbrella. Students and established investigators alike will find much to like in the remarkable breadth of topics, covering not only basic sensory processes that contribute to aesthetic experiences, but also research on a variety of art forms, including visual art, music, dance, poetry, architecture and more. It’s the kind of book that I expect we will keep handy on our shelves (virtual or otherwise): to look up a quick fact, to learn about a new area, or to ponder enjoyably on a winter’s night."Robert J. Zatorre, Montreal Neurological Institute, McGill University"When I was in grade 9, the National Gallery of Canada spent 1.76 million dollars on a painting of a red stripe on a blue background (Barnett Newman, Voice of Fire). As Canadians, my family was outraged at the misuse of taxpayer money. Twenty years later, having followed my own passion for painting, I found myself giving a tour of the Gallery’s prized collections. I entered the room housing the painting and lost my breath. The artwork hasn’t changed—my brother still thinks it’s a waste of funds—but my experience of it has surprisingly metamorphosed and I now consider it a masterpiece. Meanwhile, the last twenty years has witnessed the maturation of neuroscience as a discipline, enabled by new ways of measuring brain function and new theories that link brains and behavior that have given birth to another surprise: neuroaesthetics. This book brings together the leading experts in this gangly teenager of a discipline, which is still figuring out what kinds of questions it can ask yet full of potential to make real an ultimate promise of neuroscience—to explain what makes us human and why we can find an experience aesthetic." Bevil R. Conway, National Eye Institute, National Institutes of Health