Malcolm Gaskill is Emeritus Professor of Early Modern History at the University of East Anglia. One of Britain's leading experts in the history of witchcraft, his works include the highly acclaimed Witchfinders- A Seventeenth-Century English Tragedy and Between Two Worlds- How the English Became Americans.
A bona fide historical classic ... Historical writing of the very
highest class, impeccably researched and written with supreme
imagination and wisdom.
*Sunday Times*
Unforgettable ... Whether you read The Ruin of All Witches for a
startling insight into another age, or see its portrait of mob
hysteria and witch-hunts as darkly analogous to our own uneasy
times, this is one of those rare history books that stays with you
and haunts you long after you have turned the last page.
Superb.
*Sunday Times*
The genius of Gaskill's book lies in his meticulous piecing
together of daily life in New England ... Gaskill tells this deeply
tragic story with immense empathy and compassion, as well as
historical depth. A compelling study that offers a chilling insight
into human nature in an age of superstition.
*The Guardian*
Breathtaking ... a great story, exquisitely told. I had to reread
certain sentences aloud, just to savour their insight and cadence
... This book is history at its illuminative best.
*The Times*
The narrative is as compelling as a campfire story ... This is
deeply atmospheric writing, carefully sourced ... As with the best
history, the lessons of Springfield's past may serve to inform the
citizens of a still-divided and conflicted nation.
*Financial Times*
Evocative right from the start, the reader is drawn in and excited
in both body and mind ... It's a feast ... a valuable gift to every
reader of history.
*BBC History Magazine*
A portrait of a community during one of the first Puritan witch
panics in the New World - and a timeless study of how paranoia,
superstition and social unrest fuel fantasies ... Mr Gaskill's
immersive approach brings the fate of his subjects movingly to
life.
*The Economist*
Simply one of the best history books I have ever read ... His
deeply imaginative, empathetic and yet empirical exploration of a
past moment of crisis is history at its finest.
*BBC History*
A rich and beautifully written microhistory ... a work of
remarkable historical reconstruction.
*Literary Review*
Malcolm Gaskill shows us with filmic vividness the daily life of
the riven, marginal community of Springfield, where settlers from a
far country dwell on the edge of the unknown. The clarity of his
thought and his writing, his insight, and the immediacy of the
telling, combine to make this the best and most enjoyable kind of
history writing. Malcolm Gaskill goes to meet the past on its own
terms and in its own place, and the result is thought-provoking and
absorbing.
*Hilary Mantel*
A surefooted and gripping narrative ... Gaskill's Springfield joins
Emmanuel Le Roy Ladurie's Montaillou, Tony Wrigley's Colyton and
other places of little intrinsic importance which for one reason or
another have been immortalised by modern historiography... There is
currently no memorial for Hugh and Mary Parsons in Springfield like
those which have been erected in other places where witches were
hunted. Perhaps they will get one now.
*London Review of Books*
Reads with the fluency of a novel ... Crucially, Gaskill writes to
make us see the world as those early Puritans saw it; how their own
psychological fears, of financial ruin, of neighbours, of Native
Americans and the hostile elements, could seed the first
accusations of witchcraft.
*The New Humanist*
An impressively researched account, bringing to life the fears and
preoccupations of obscure and humble people, and setting them in
the context of their time and place.
*The Spectator*
Powerfully evocative, a grimly compelling morality tale with more
than one unexpected twist ... an outstanding achievement, haunting,
revelatory and superbly written - a strong contender for the best
history book of 2021.
*Irish Independent*
A pulsating history of sorcery and superstition ... an academic
feat but reads like a Stephen King thriller - and it's just right
for our conspiracy-laden times.
*The i*
A riveting micro-history, brilliantly set within the broader social
and cultural history of witchcraft. Drawing on previously neglected
source material, this book is elegantly written and full of
intelligent analysis.
*Wolfson History Prize 2022*
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