Short-listed for the Man Booker Prize
A New York Magazine Best Book of the Year
In Satin Island, Tom McCarthy-the acclaimed, Man Booker Prize-nominated author of Remainder and C-captures the way we experience our world and our efforts to find meaning in the narratives we think of as our lives. U., a "corporate anthropologist," is tasked with preparing the Great Report, an all-encompassing ethnographic document that sums up our era. Yet at every turn, he feels himself overwhelmed by the ubiquity of data. But just as U. begins to wonder if his project will ever take shape, his senses are startled awake by a dream of an apocalyptic cityscape. Unlike anything you've read before, Satin Island is a mind-bending adventure from one of the most original voices in literature today.
Short-listed for the Man Booker Prize
A New York Magazine Best Book of the Year
In Satin Island, Tom McCarthy-the acclaimed, Man Booker Prize-nominated author of Remainder and C-captures the way we experience our world and our efforts to find meaning in the narratives we think of as our lives. U., a "corporate anthropologist," is tasked with preparing the Great Report, an all-encompassing ethnographic document that sums up our era. Yet at every turn, he feels himself overwhelmed by the ubiquity of data. But just as U. begins to wonder if his project will ever take shape, his senses are startled awake by a dream of an apocalyptic cityscape. Unlike anything you've read before, Satin Island is a mind-bending adventure from one of the most original voices in literature today.
Tom McCarthy was born in 1969 and lives in London. He is known in the art world for the reports, manifestos and media interventions he has made as general secretary of the International Necronautical Society (INS), a semi-fictitious avant-garde network. His previous books include Men in Space, C, Remainder and Tintin and the Secret of Literature. In 2013 he was awarded an inaugural Windham-Campbell Literature Prize from Yale University.
“Smart, shimmering and thought-provoking. . . . Compulsively
readable.” —The New York Times Book Review
“Cerebral complexity with a sense of humor. . . . To read Satin
Island is to feel as if you’re observing its story through a pane
of glass. . . . It’s the same remove from which we experience so
many things in our multiscreened lives, our senses averted from the
messiness of human life.” —The Boston Globe
“A magisterial ethnographic portrait of our overstimulated,
interconnected, simulacra-addicted times.” —The Atlantic
“An undeniably dazzling piece of writing, a perfect tight circle of
interlocking motifs, mini-treatises and allusions.” —The Sunday
Times (London)
“Ingenious.” —”All Things Considered,” NPR
“Gives the trope of the reluctant detective a fresh turn. . . .
McCarthy’s style is at times reminiscent of David Foster Wallace’s
stories of characters caught in the gears of consumer capitalism
coupled with the whimsy of Jean Philippe Toussaint’s literary
situational comedies in which every detail is microanalyzed.” —Los
Angeles Times
“A cool, bravura challenge to our conventional expectations of what
a novel should offer.” —Financial Times
“Fascinating.” —San Francisco Chronicle
“McCarthy’s crisp, clean prose is stimulating, his concepts
original and his visual imagery powerful.” —The Independent
“More entertaining than it has any right to be. . . . Only a writer
of McCarthy’s wit could erase the book you’re holding in your hand
without entirely alienating his readers.” —“A.V, Club,” The
Onion
“The wit shimmers and snaps. The numbered sections, each a single
paragraph, are polished little jewels. The humor tilts toward
bathos, tumbling from the sublime to the demotic.” —The Nation
“Very funny; intellectually, culturally, uncannily funny.” —The
Washington Times
“McCarthy is a terrific satirist, and he’s wonderful at describing
what not to do. . . . With Satin Island, [he] has cast a new light
on the debate about avant-garde and realist novels.” —Bookforum
“[Satin Island] provokes and beguiles. . . . On finishing it you
will have the powerful urge to throw it across the room then the
powerful urge to pick it up to read again. And that’s what’s so
brilliant.” —The Daily Telegraph
“Hugely impressive. . . . A book that is hugely playful, with great
jokes, observations and some fantastically funny set pieces. It is
a genuinely challenging book. McCarthy is experimenting, pushing
the boundaries of what a novel can be. . . . He is an original.”
—Irish Times
“Hilarious in precisely the way that Kafka is hilarious. . . .
Lucid, precise, and aesthetically rewarding.” —Flavorwire
“This latest strange, smart narrative experiment showcases
McCarthy’s gift for wildly original fiction.” —Booklist
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