Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father's death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen's novels] is beyond praise....Her mastery of the art she chose, or that chose her, is complete."
This Modern Library Paperback Classics edition contains a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.
Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father's death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen's novels] is beyond praise....Her mastery of the art she chose, or that chose her, is complete."
This Modern Library Paperback Classics edition contains a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.
Jane Austen was born in Steventon, Hampshire, on December 16, 1775.
Her father, the Reverend George Austen, was rector of Steventon,
where she spent her first twenty-five years, along with her six
brothers (two of them later naval officers in the Napoleonic wars)
and her adored sister, Cassandra. She read voraciously from an
early age, counting among her favorites the novels of Samuel
Richardson, Henry Fielding, and Fanny Burney, and the poetry of
William Cowper and George Crabbe. Her family was lively and
affectionate and they encouraged her precocious literary efforts,
the earliest dating from age twelve, which already displayed the
beginnings of her comic style. Her first novels, Elinor and
Marianne (1796) and First Impressions (1797), were not published.
The gothic parody Northanger Abbey was accepted for publication in
1803 but was ultimately withheld by the publisher.
In 1801 the family moved to Bath, where for four years Austen was
able to observe the fashionable watering place that would later
figure prominently in her fiction. Austen was sociable in her
youth, and was briefly engaged in 1802. Two years later she began
work on The Watsons, a novel that remained unfinished. After the
death of her father in 1805, she lived with her mother and sister
in Southampton for a few years before moving with them to a cottage
at Chawton in Hampshire. This would be her home for the rest of her
life, and she wrote many of her novels in its parlor. She continued
to revise her earlier unpublished work, and in 1811 a version of
Elinor and Marianne was published as Sense and Sensibility,
followed two years later by Pride and Prejudice, a reworking of
First Impressions. In the next few years she published Mansfield
Park (1814) and Emma (1816).
Austen became ill in 1815, perhaps with Addison's disease, and she
died on July 18, 1817. Persuasion, her last novel, and the earlier
Northanger Abbey appeared the following year. Of her last days her
brother wrote- 'She wrote whilst she could hold a pen, and with a
pencil when a pen was become too laborious. The day preceding her
death she composed some stanzas replete with fancy and vigour.'
Although Austen received some praise from her
contemporaries-notably Sir Walter Scott, who discerned in her work
'the exquisite touch, which renders ordinary commonplace things and
characters interesting, from the truth of the description and the
sentiment'-her detractors included Charlotte Bronte ('very
incomplete and rather insensible') and Ralph Waldo Emerson ('vulgar
in tone, sterile in artistic invention'), and her books did not
immediately find a wide readership. The turn in her reputation came
late in the nineteenth century, and has been succeeded by an
enduring popularity and widespread critical praise in the
twentieth.
"As nearly flawless as any fiction could be."
—Eudora Welty
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