" In Settler Common Sense, Mark Rifkin explores how canonical American writers take part in the legacy of displacing Native Americans. Although the books he focuses on are not about Indians, they serve as examples of what Rifkin calls "settler common sense," taking for granted the legal and political structure through which Native peoples continue to be dispossessed.In analyzing Nathaniel Hawthorne's House of the Seven Gables, Rifkin shows how the novel draws on Lockean theory in support of small-scale landholding and alternative practices of homemaking. The book invokes white settlers in southern Maine as the basis for its ethics of improvement, eliding the persistent presence of Wabanaki peoples in their homeland. Rifkin suggests that Henry David Thoreau's Walden critiques property ownership as a form of perpetual debt. Thoreau's vision of autoerotic withdrawal into the wilderness, though, depends on recasting spaces from which Native peoples have been dispossessed as places of non-Native regeneration. As against the turn to "nature," Herman Melville's Pierre presents the city as a perversely pleasurable place to escape from inequities of land ownership in the country. Rifkin demonstrates how this account of urban possibility overlooks the fact that the explosive growth of Manhattan in the nineteenth century was possible only because of the extensive and progressive displacement of Iroquois peoples upstate.Rifkin reveals how these texts' queer imaginings rely on treating settler notions of place and personhood as self-evident, erasing the advancing expropriation and occupation of Native lands. Further, he investigates the ways that contemporary queer ethics and politics take such ongoing colonial dynamics as an unexamined framework in developing ideas of freedom and justice. "--
Show more" In Settler Common Sense, Mark Rifkin explores how canonical American writers take part in the legacy of displacing Native Americans. Although the books he focuses on are not about Indians, they serve as examples of what Rifkin calls "settler common sense," taking for granted the legal and political structure through which Native peoples continue to be dispossessed.In analyzing Nathaniel Hawthorne's House of the Seven Gables, Rifkin shows how the novel draws on Lockean theory in support of small-scale landholding and alternative practices of homemaking. The book invokes white settlers in southern Maine as the basis for its ethics of improvement, eliding the persistent presence of Wabanaki peoples in their homeland. Rifkin suggests that Henry David Thoreau's Walden critiques property ownership as a form of perpetual debt. Thoreau's vision of autoerotic withdrawal into the wilderness, though, depends on recasting spaces from which Native peoples have been dispossessed as places of non-Native regeneration. As against the turn to "nature," Herman Melville's Pierre presents the city as a perversely pleasurable place to escape from inequities of land ownership in the country. Rifkin demonstrates how this account of urban possibility overlooks the fact that the explosive growth of Manhattan in the nineteenth century was possible only because of the extensive and progressive displacement of Iroquois peoples upstate.Rifkin reveals how these texts' queer imaginings rely on treating settler notions of place and personhood as self-evident, erasing the advancing expropriation and occupation of Native lands. Further, he investigates the ways that contemporary queer ethics and politics take such ongoing colonial dynamics as an unexamined framework in developing ideas of freedom and justice. "--
Show moreContents
Acknowledgments
Introduction1. Ordinary Life and the Ethics of Occupation2. Romancing the State of Nature: Speculation, Regeneration, and the Maine Frontier in House of the Seven Gables3. Loving Oneself Like a Nation: Sovereign Selfhood and the Autoerotics of Wilderness in Walden4. Dreaming of Urban Dispersion: Aristocratic Genealogy and Indian Rurality in PierreNotesBibliographyIndex
Mark Rifkin is associate professor of English and women's studies at the University of North Carolina at Greensboro. He is the author of several books, including When Did Indians Become Straight?Kinship, the History of Sexuality, and Native Sovereignty and The Erotics of Sovereignty: Queer Native Writing in the Era of Self-Determination (Minnesota, 2012).
"A sophisticated and rigorous interdisciplinary work, Settler
Common Sense is a wonderful, unsettling contribution to American
literary studies, native studies, and queer studies." —Beth
Piatote, University of California, Berkeley
"Mark Rifkin adds to his brilliant collection of work on settler
colonialism by challenging the scholarly tendency to frame settler
colonialism as a consistent, already made structure or set of
logics that people today simply inhabit."—Andrea Smith"A useful
starting point for further analysis, laying the groundwork for
future scholars to explore how a variety of cultural products—if
subtly—encouraged the dispossession of Native Americans during one
of the US’s most important periods of physical growth and
ideological development."—CHOICE"Rifkin presents clear,
fascinating, and focused readings of texts that offer new questions
for how queer studies tools can be used in connection with ethics
(queer and Indigenous) to read foundational literary
texts."—American Literature"Rifkin has opened a necessary
dialogue."—The Year’s Work in English Studies"Offers an important
reminder of the expropriation and erasure on which
nineteenth-century American culture was built, even after
'Indians' have ostensibly vanished from areas like New
England and New York."—Modern Philology
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