About the Author

Laurel E. Fay is a widely published writer on Russian and Soviet music, who has been traveling to and studying in Russia since 1971. She lives in Staten Island, New York.

Reviews

Laurel E. Fay's painstakingly researched Shostakovich: A Life has given us the long-awaited authoritative biography, taking full advantage of the post-Soviet Opening-up of archives to provide the best assemblage of factual information on Shostakovich's life and work in any language."--David Fanning, Music and Letters
"The rest of us can...be grateful for [Fay's] humble and herculean efforts, thanks to which Shostakovich can no longer be discussed in terms of black or white; her work has begun to make it possible to focus on the lasting inner life of the music and to think of the music's creator in fuller human terms."--The Boston Sunday Globe "Fay's Shostokovich is not only the best biography in English or in any other West European language, it offers
readers a factual accuracy and balanced perspective unmatched in publications by Shostakovich specialists in the composer's homeland. Fay has produced a reliable and basic life and works--clear-eyed, straightforward,
copiously researched, sympathetic, objective, and uncluttered by Cold-War and post-Cold-War myths."--Malcolm Hamrick Brown, Professor Emeritus of Music, Indiana University
Laurel E. Fay's painstakingly researched Shostakovich: A Life has given us the long-awaited authoritative biography, taking full advantage of the post-Soviet Opening-up of archives to provide the best assemblage of factual information on Shostakovich's life and work in any language."--David Fanning, Music and Letters
"Rather than continue a debate in which "the true-believing Communist citizen-composer is inverted into an equally unconvincing caricature of a lifelong closet dissident," Fay sets out to describe the composer based on the existing factual record of is life. It is a remarkably straightforward, non-sensationalized treatment of the composer's life and work. As such, it is a sorely needed contribution to a field that has been overheated with controversy. One may
now approach his oeuvre and see it for what it is: an embittered, poignant and ultimately compelling musical diary of our time."-The Nation
"The rest of us can...be grateful for [Fay's] humble and herculean efforts, thanks to which Shostakovich can no longer be discussed in terms of black or white; her work has begun to make it possible to focus on the lasting inner life of the music and to think of the music's creator in fuller human terms."--The Boston Sunday Globe
"The combined effects of scholarly incompetence, deliberate obfuscation, and the imposition of political agendas have made it nearly impossible to get a clear picture of the life of Shostokovich, one of the most fascinating figures in the cultural life of the twentieth century. Laurel Fay, the most patient of scholars, has done an amazing job of getting the material sorted out so as to be able to tell the compelling story of this troubled life. She is calm,
bound by no political parti pris, and when even she has been defeated in her research she is not afraid to say 'I don't know'. Long awaited, this is an immensely important book and hugely
welcome."--Michael Steinberg, author of The Symphony: A Listener's Guide and The Concerto: A Listener's Guide (OUP).
"Fay's Shostokovich is not only the best biography in English or in any other West European language, it offers readers a factual accuracy and balanced perspective unmatched in post-Soviet era publications by Shostakovich specialists in the composer's homeland. Undaunted by the lurid debates surrounding Shostakovich's purported lifelong dissidence and the covert meaning of his music, Fay has produced exactly what we need at this stage in Shostokovich
scholarship; a reliable and basic life and works--clear-eyed, straightforward, copiously researched, sympathetic, objective, and uncluttered by Cold-War and post-Cold-War myths."--Malcolm Hamrick Brown,
Professor Emeritus of Music, Indiana University, and Founding Editor, Russian Music Studies

Laurel E. Fay's painstakingly researched Shostakovich: A Life has given us the long-awaited authoritative biography, taking full advantage of the post-Soviet Opening-up of archives to provide the best assemblage of factual information on Shostakovich's life and work in any language."--David Fanning, Music and Letters "The rest of us can...be grateful for [Fay's] humble and herculean efforts, thanks to which Shostakovich can no longer be discussed in terms of black or white; her work has begun to make it possible to focus on the lasting inner life of the music and to think of the music's creator in fuller human terms."--The Boston Sunday Globe "Fay's Shostokovich is not only the best biography in English or in any other West European language, it offers readers a factual accuracy and balanced perspective unmatched in publications by Shostakovich specialists in the composer's homeland. Fay has produced a reliable and basic life and works--clear-eyed, straightforward, copiously researched, sympathetic, objective, and uncluttered by Cold-War and post-Cold-War myths."--Malcolm Hamrick Brown, Professor Emeritus of Music, Indiana University Laurel E. Fay's painstakingly researched Shostakovich: A Life has given us the long-awaited authoritative biography, taking full advantage of the post-Soviet Opening-up of archives to provide the best assemblage of factual information on Shostakovich's life and work in any language."--David Fanning, Music and Letters "Rather than continue a debate in which "the true-believing Communist citizen-composer is inverted into an equally unconvincing caricature of a lifelong closet dissident," Fay sets out to describe the composer based on the existing factual record of is life. It is a remarkably straightforward, non-sensationalized treatment of the composer's life and work. As such, it is a sorely needed contribution to a field that has been overheated with controversy. One may now approach his oeuvre and see it for what it is: an embittered, poignant and ultimately compelling musical diary of our time."-The Nation "The rest of us can...be grateful for [Fay's] humble and herculean efforts, thanks to which Shostakovich can no longer be discussed in terms of black or white; her work has begun to make it possible to focus on the lasting inner life of the music and to think of the music's creator in fuller human terms."--The Boston Sunday Globe "The combined effects of scholarly incompetence, deliberate obfuscation, and the imposition of political agendas have made it nearly impossible to get a clear picture of the life of Shostokovich, one of the most fascinating figures in the cultural life of the twentieth century. Laurel Fay, the most patient of scholars, has done an amazing job of getting the material sorted out so as to be able to tell the compelling story of this troubled life. She is calm, bound by no political parti pris, and when even she has been defeated in her research she is not afraid to say 'I don't know'. Long awaited, this is an immensely important book and hugely welcome."--Michael Steinberg, author of The Symphony: A Listener's Guide and The Concerto: A Listener's Guide (OUP). "Fay's Shostokovich is not only the best biography in English or in any other West European language, it offers readers a factual accuracy and balanced perspective unmatched in post-Soviet era publications by Shostakovich specialists in the composer's homeland. Undaunted by the lurid debates surrounding Shostakovich's purported lifelong dissidence and the covert meaning of his music, Fay has produced exactly what we need at this stage in Shostokovich scholarship; a reliable and basic life and works--clear-eyed, straightforward, copiously researched, sympathetic, objective, and uncluttered by Cold-War and post-Cold-War myths."--Malcolm Hamrick Brown, Professor Emeritus of Music, Indiana University, and Founding Editor, Russian Music Studies

The Cold War has ended, but writers on Shostakovich now face its effects on information, as Fay's own published criticism of some Shostakovich-related work has shown. This meticulously documented biography bravely offers a thoughtful, painstaking search for the truth regarding the great, tormented composer's actions and public reaction to his music, but sources themselves often conflict. For example, Fay presents a dozen versions of what happened and why regarding the 1936 withdrawal of the Fourth Symphony, some from the same people at different times. Other facts are equally elusive, and Fay leaves many questions open. A chronological report with a smattering of insights from Fay, this important contribution to Shostakovich scholarship presents the result of many years of study in archives and published accountsÄgroundwork future scholars will appreciate. For academic and large public libraries.ÄBonnie Jo Dopp, Univ. of Maryland Lib., College Park Copyright 1999 Cahners Business Information.