Preface.
1. Introduction: What is Art?.
Part I: The Relationship between Art and Society.
2. Reflection Approaches.
Case Study. The Reflection of Race in Children's Books.
3. Shaping Theory.
Case Study. Violence and Television.
4. A Mediated View: The Cultural Diamond.
Part II: The Cultural Diamond.
A. The Production of Culture.
5. Art Worlds.
Case Study. From Academy to Public Sale.
6. Culture Industries.
Case Study. Innovation and Diversity in the Production of Music.
7. Networks and Nonprofits.
Case Study. Piccolos on the Picket Line: A Strike in the Symphony.
8. Artists.
Case Study. Nothing Succeeds Like Success: Careers in the Film Industry.
9. Globalization.
Case Study. The Return of the Elgin (or Parthenon) Marbles?.
B. The Consumption of Culture.
10. Reception Approaches.
Case Study. Romance Novels as Combat and Compensation.
11. Audience Studies.
Case Study. Cowboys, Indians, and Western Movies.
12. Art and Social Boundaries.
Case Study. Framing Heavy Metal and Rap Music.
Part III: Art in Society.
13. The Art Itself.
Case Study. The Renaissance Way of Seeing.
14. The Constitution of Art in Society.
Case Study. A Strange Sensation: Controversies in Art.
Part IV: Conclusion.
15. Studying Art Sociologically.
Notes.
References.
Victoria D. Alexander is Lecturer of Sociology at the University of Surrey. She is the author of Museums and Money: The Impact of Funding on Exhibitions, Scholarship, and Management (1996).
"In the twenty-five years that I have worked and taught in the
field of sociology, this is the first textbook that I can remember
enjoying and learning a lot from. Alexander’s Sociology of the Arts
brings to life both cutting-edge research and classic works in the
sociology of literature, music, art, and popular culture. Students
will discover what fascinating things researchers have learned by
studying the arts sociologically. And specialists will know what is
happening in the forefront of the field." Ann Swidler, University
of California at Berkeley
"Sociology of the Arts is a most welcome addition to the field.
With a high level of sophistication, but without unnecessary
jargon, Dr. Alexander clearly lays out the different frameworks of
analysis that have emerged in recent years." Vera Zolberg, New
School for Social Research
"This is an informative and thoughtful text for courses in the
sociology of art." D. Harper, Univesity of Rochester
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