About the Author

Italian author Gianni Rodari wrote many beloved children's books and was awarded the prestigious Andersen Prize. But he was also an educator of paramount importance in Italy and an activist who understood the liberating power of the imagination. He is one of the twentieth century’s greatest authors for children, and Italy's greatest. Influenced by French surrealism and linguistics, Rodari stressed the importance of poetic language, metaphor, made-up language, and play. At a time when schooling was all about factual knowledge, Rodari wrote The Grammar of Fantasy, a radically imaginative book about storytelling and play. He was a forerunner of writing techniques such as the "fantastic binomial" and the utopian, world engendering "what if...." The relevance of Rodari’s works today lies in his poetics of imagination, his humanist yet challenging approach to reality, and his themes, such as war and peace, immigration, injustice, inequality, and liberty. Forty years after his death, Rodari’s writing is as powerful and innovative as ever. He died in Rome in 1980.

Beatrice Alemagna has written and illustrated dozens of children’s books, which have received numerous awards all over the world and have been translated into 14 languages. The author-illustrator of two New York Times Best Illustrated books, she has also been nominated for the Astrid Lindgren Memorial Award seven times and shortlisted for the Hans Christian Andersen Award twice. Enchanted Lion has published four of her picture books: The Wonderful Fluffy Little Squishy; Child of Glass; Telling Stories Wrong; and the forthcoming You Can't Kill Snow White, a picture book for teens and adults, published under Enchanted Lion's Unruly imprint. Born in Bologna, Italy, Alemagna lives and works in Paris, France.

Reviews

A New York Times/New York Public Library Best Illustrated Children's Book of 2022!Selected for the Publishers Weekly 2022 Holiday Gift Guide
? "Rodari’s raucous text is basically a conversation: A grandpa tells the story of 'Little Red Riding Hood' all wrong, giving the heroine a yellow hood, the wrong mission, an encounter with a giraffe and so forth. His granddaughter passionately corrects him while thoroughly enjoying each fresh deviation from the classic tale. Alemagna’s textured, inviting marker drawings provide many punch lines of their own, and the pictures become a joyful celebration of on-the-fly storytelling."
*2022 New York Times/New York Public Library Best Illustrated Children's Book Award Jury*

“Alemagna’s marker-and wash-textured illustrations, predominantly composed of blobs and circles, materialize into both reality (…Grandpa’s voluminous hair and mustache, the pink-skinned child’s pink dress and gangly braids) and narrative chaos (an entire thought bubble of Riding Hoods with cloaks of various hues), leading up to a grand finale that shows Grandpa at the helm of a city bus filled with characters who have appeared in his woolgathering. When Grandpa returns to his newspaper, and his grandchild heads to the store with a quarter for bubble gum, a final hug makes it clear that they share the same sense of storytelling mischief.”
*Publishers Weekly*

“Here is a humorous story of a grandfather retelling ‘Little Red Riding Hood’ to his granddaughter, and telling it hilariously wrong. The child keeps correcting him, but it doesn’t seem to get him back on track. And why bother? Anyone who reads this book will see that the heart of storytelling with children is not the accurate retelling of plot but rather the connection and creative interaction between adult and child. Alemagna’s well-composed and multilayered mixed-media illustrations cleverly support the transition between the two speakers, as the narrative is related solely through dialogue; thought bubbles amusingly show the very different stories unfolding in each of the character’s heads. Young readers already familiar with ‘Little Red Riding Hood’ may enjoy this story most, but it will be great fun for all, nonetheless.”
*The Horn Book*

“With its combination of the absurd along with its imaginative creativity, Telling Stories Wrong is an excellent entry point for [Gianni Rodari's] writing. Lovingly executed illustrations by award-winning artist Beatrice Alemagna – who considers Rodari a ‘spiritual father’ – enhance the warmth of the story with great humor and a marvelous sense of play."
*The Riveter*

“Gianni Rodari, described as the father of modern Italian kid lit, gets a makeover here of one of his classic Telephone Tales. In this fractured version of Little Red Riding Hood, a grandpa mixes up all the particulars of the story, much to the delight of his squealing granddaughter... At each stage, the little girl emotes expressively, throwing up her arms and imagining (with squishy thought bubbles) all the right and wrong things about the story, crouching on the floor while Grandpa tries to get back to his newspaper. The star here was the fabulous illustrations, combined with gorgeous book design. Alemagna uses Magic Markers (possibly on dampened paper), which mimic watercolor and their characteristic spread, but allow her to create her own blobby version of pointillism… The large thick pages, with their buff color would make for really standout viewing of the large goofy pictures, like Grandpa and the girl racing off on a large horse (we only see their behinds, including the girl’s underwear!) with the pesky newspaper pages conveniently blowing away.”
*Youth Services Book Review*

“We see nutty books all thetime. The difference here is that this particular nutty book has a lot of heartand affection between the characters that comes through in spite of (or becauseof?) the kooky storytelling. It’s an ideal book for a grandparent to read totheir own offspring’s offspring. Especially if that kid can’t stand it whengrown-ups get facts wrong. Here’s one fact that isn’t wrong: This book isdelightful. A win of an import.”
*A Fuse 8 Production (A School Library Journal Blog)*

“A little girl is listening to her grandfather tell the story of ‘Little Red Riding Hood,’ but he keeps getting important details wrong... The laugh-out-loud developments will tickle readers, but by the time Grandpa finishes his rendition of ‘Little Red,’ the little girl has had enough of his stories and leaves him to his newspaper—likely the clever old man’s plan all along! Fantastic childlike illustrations by Alemagna capture the playful spirit of the story, using simple marker drawings to show all the hilarious ways Grandpa goes off script. Originally published in Rodari’s Italian classic Telephone Tales, this picture book is perfect for reading aloud and for fans of fractured fairy tales.”
*Booklist*