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In the French port town of Calais, the historic home of the lace industry, a city within a city has arisen. This new town, known as the Jungle, is the home of thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images-by turns shocking, angering, wry, and heartbreaking. Weaving into the story hostile comments about the migrants from nativist politicians and Internet trolls, Threads addresses one of the most pressing issues of modern times-making a compelling case, through intimate evidence, for compassionate treatment of refugees and the free movement of peoples. Evans's creativity and passion as an artist, activist, and mother shine through.
In the French port town of Calais, the historic home of the lace industry, a city within a city has arisen. This new town, known as the Jungle, is the home of thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images-by turns shocking, angering, wry, and heartbreaking. Weaving into the story hostile comments about the migrants from nativist politicians and Internet trolls, Threads addresses one of the most pressing issues of modern times-making a compelling case, through intimate evidence, for compassionate treatment of refugees and the free movement of peoples. Evans's creativity and passion as an artist, activist, and mother shine through.
A heartbreaking, full-colour graphic novel of the refugee drama.
KATE EVANS is a cartoonist, artist, mother and sometime activist. She is the author of Red Rosa: a graphic biography of Rosa Luxemburg, Funny Weather: Everything You Didn’t Want to Know About Climate Change But Probably Should Find Out, and the comic guides to pregnancy, birth and breastfeeding Bump and The Food of Love. She lives in Somerset, UK, with her partner, children and cats. Evans blogs at www.cartoonkate.co.uk and tweets @cartoonkate.
Through Kate Evans's firsthand report from the Calais Jungle we
meet the refugees, get a vivid look at their living conditions, and
witness the impressive resourcefulness of the volunteer operation
that sprang up to help. Evans transforms the human 'flood' into
shimmering droplets as she works and eats with the refugees,
getting to know them as individuals, forging intimate connections
while sketching their portraits. Evans both captures the wrenching
reality of a seemingly intractable problem and makes an eloquent
argument for its solution: open borders.
*Alison Bechdel, author of Are You My Mother? and Fun
Home*
Threads is helpful, and even necessary: as existentialists like
Camus and Sartre pointed out, we really feel compassion and empathy
when we see the suffering of others. Which makes visual-oriented
journalism, like this 'comics journalism' so powerful: we 'see' the
people Evans saw and met.
*Comics Bulletin*
A moving first-person account of a volunteer in the refugee camp at
Calais, France.
*Publisher's Weekly*
This colorful, large format graphic novel, which Verso is
publishing in June, takes readers into the heart of the jungle; the
troubled, overcrowded refugee camp in Calais, France, that was home
to many African and Middle Eastern refugees until it was evacuated
in 2016. British cartoon-artist Kate Evans fashions a moving,
visceral record of the families and conversations she witnessed
there, which she juxtaposes with images of anti-immigrant rhetoric
displayed on cell phones.
*PopSugar*
It's impossible to read Threads without feeling an emotional
response, from outrage to tenderness to deep frustration.
*Vice*
[Threads] focuses on a specific place and individual experiences,
but they form a universal composite of suffering that has been met
with varying degrees of sympathy, panic and fatigue from "host"
societies in Europe and North America ... Evans challenges the idea
of where we consider the legitimate crossing of boundaries to
begin: Migritude is the way of the world today, it can be resisted
or embraced, but regardless, it is part of us.
*Culturestrike*
With a heavy heart and bearing artistic gifts, Kate Evans draws the
faces of refugees coming from Syria, Africa, and elsewhere to 'The
Jungle,' a makeshift camp in Calais, France, and in doing so Evans
captures the refugees' full humanity, intelligence, and suffering
as they search for family, home, and dignity. An antidote to the
anti-immigrant populism that is raging across the world, Threads is
the real story that puts a human face on a very topical news
item.
*Book Riot*
Evans' latest graphic novel recounts her time volunteering at one
of the many refugee camps that have sprung up along the French
coastline to house Africans and Middle Easterners who have fled
their home countries. Using her talents as an artist to draw
portraits of the camp's inhabitants, Evans gets to know some of
them and their stories... [Threads] has an agenda, but it's an
important one, and Evans' accont of the refugee crisis is moving
nonetheless.
*Booklist*
British cartoonist Kate Evans documents the lives of refugees stuck
in French detention camps as they long to complete their journeys
to England... emphasizes the power of comics journalism to not
simply depict, but to interpretively transform.
*PopMatters*
Evans's raw, bright drawings of dark outcomes will attract anyone
interested in the international refugee crisis, as she allows us to
walk briefly in her - and their - shoes.
*Library Journal*
Artist-activist Evans immediately announces, "Everything you are
about to read really happened." Calais, France, is the site of "the
Jungle," where thousands of international refugees comprise a
"microcosmic Disunited Nations." During Evans' 2015-2016 volunteer
trips, she recorded the increasingly dangerous conditions, the
paralyzing waiting, and the disappearing resources; beyond the
Jungle, she exposed the rising European hostitility toward
refugees. Evans' visual layout is especially affecting: as she
edges and divides pages with the local lace for which Calis is
famous, juxtaposing its beauty agains real-life Jungle horrors.
*Booklist Magazine*
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