A collection of classic and new time travel stories, from H.G. Wells, Jules Verne and many others.
David Wittenberg teaches in English, Comparative Literature, and Cinematic Arts at the University of Iowa. He is the author of two books, Time Travel: The Popular Philosophy of Narrative (Fordham University Press, 2013) and Philosophy, Revision, Critique: Rereading Practices in Heidegger, Nietzsche, and Emerson (Stanford University Press, 2001), and the co-editor of a forthcoming critical anthology, Scale in Literature and Culture (Palgrave Macmillan). Currently he is completing several other research projects including a book about very large objects and images, tentatively titled Big Culture: Toward an Aesthetics of Magnitude.
A collection of classic and new time travel stories, from H.G. Wells, Jules Verne and many others.
David Wittenberg teaches in English, Comparative Literature, and Cinematic Arts at the University of Iowa. He is the author of two books, Time Travel: The Popular Philosophy of Narrative (Fordham University Press, 2013) and Philosophy, Revision, Critique: Rereading Practices in Heidegger, Nietzsche, and Emerson (Stanford University Press, 2001), and the co-editor of a forthcoming critical anthology, Scale in Literature and Culture (Palgrave Macmillan). Currently he is completing several other research projects including a book about very large objects and images, tentatively titled Big Culture: Toward an Aesthetics of Magnitude.
David Wittenberg teaches in English, Comparative Literature, and Cinematic Arts at the University of Iowa. He is the author of two books, Time Travel: The Popular Philosophy of Narrative (Fordham University Press, 2013) and Philosophy, Revision, Critique: Rereading Practices in Heidegger, Nietzsche, and Emerson (Stanford University Press, 2001), and the co-editor of a forthcoming critical anthology, Scale in Literature and Culture (Palgrave Macmillan). Currently he is completing several other research projects including a book about very large objects and images, tentatively titled Big Culture: Toward an Aesthetics of Magnitude.
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