In a life cut tragically short by illness, Tirzah Garwood (1908–1951) proved herself an artist of rare talent, yet few of her wood engravings, marbled papers, paintings and collaged house constructions have been seen in public since her Memorial Exhibition in 1952. Written by James Russell, author of the bestselling Ravilious, this beautifully illustrated book is published to coincide with the Dulwich Picture Gallery exhibition Tirzah Garwood: Beyond Ravilious, the first major exhibition in seventy years to explore the full range of Garwood’s achievements. A witty observer of the human condition, Tirzah Garwood made her first breakthrough while still in her teens as a wood engraver of rare ability. After marrying Eric Ravilious she became a devoted mother to three children and at the same time took up paper marbling, quickly achieving renown for the dazzling originality of her decorative papers. In her early thirties she suffered the double blow of a grave breast cancer diagnosis and her husband’s death on active service in World War II. Undaunted, she wrote her autobiography Long Live Great Bardfield then began making collages and painting in oils, producing in a few short years a series of strange, beautiful house constructions and paintings. In Tirzah Garwood: Beyond Ravilious these paintings and collaged constructions are for the first time given the public showcase and critical examination they deserve, revealing Garwood’s development of a distinctive ‘sophisticated naive’ approach that subtly transformed innocent subjects to unsettling effect. More than ninety works by Tirzah Garwood, almost exclusively from private collections and including books, studies and ephemera, are accompanied by artworks by Eric Ravilious setting the context in which the artists worked together and exploring the shared interests and techniques of this remarkable creative couple. The book features new research, and includes essays by Eric and Tirzah’s granddaughter Ella Ravilious and writer Jennifer Higgie.