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The Holocaust was the defining cataclysm of modernity. Now, more than three quarters of a century later, the immersive, interactive technologies of the digital age are dramatically refashioning our memory of that genocide. Virtual Holocaust Memory offers the first comprehensive account of a unique historical juncture, as twenty-first century digital culture meets the edge of living Holocaust memory. The book considers a range of projects that are being
developed by museums, archives, businesses, and educational organizations in the USA and Europe, including interactive video testimony, Virtual Reality films, Augmented Reality apps, museum installations, and
online exhibitions. Drawing on an original conceptual framework that incorporates connective memory, palimpsestic testimony, and a notion of 'truthfulness' first applied to testimonial writing by the survivor Charlotte Delbo, this groundbreaking book argues that the value of virtual Holocaust memory--that is to say its truthfulness--will ultimately come to rest on the connections that it establishes across a complex set of subject positions. These range from 'new bystanders', who encounter
Holocaust memory from a position of relative safety, to the traumatized victims whose extreme physical and psychological experiences made communicating so difficult in the first place.
The Holocaust was the defining cataclysm of modernity. Now, more than three quarters of a century later, the immersive, interactive technologies of the digital age are dramatically refashioning our memory of that genocide. Virtual Holocaust Memory offers the first comprehensive account of a unique historical juncture, as twenty-first century digital culture meets the edge of living Holocaust memory. The book considers a range of projects that are being
developed by museums, archives, businesses, and educational organizations in the USA and Europe, including interactive video testimony, Virtual Reality films, Augmented Reality apps, museum installations, and
online exhibitions. Drawing on an original conceptual framework that incorporates connective memory, palimpsestic testimony, and a notion of 'truthfulness' first applied to testimonial writing by the survivor Charlotte Delbo, this groundbreaking book argues that the value of virtual Holocaust memory--that is to say its truthfulness--will ultimately come to rest on the connections that it establishes across a complex set of subject positions. These range from 'new bystanders', who encounter
Holocaust memory from a position of relative safety, to the traumatized victims whose extreme physical and psychological experiences made communicating so difficult in the first place.
Introduction
Part I: Interactive Video Testimony
Chapter One: Entering Dimensions in Testimony
Chapter Two: Ghosting the Museum
Chapter Three: Witness in the Light Stage
Part II: Reading the Virtual
Chapter Four: Virtual Landscapes
Chapter Five: The Virtual Anne Frank
Chapter Six: The Topography of Terror and Resistance to the
Virtual
Conclusion
Bibliography
Index
Matthew Boswell is the Programme Manager of Media Cymru: a
consortium of film and television companies, universities, and
public bodies driving sustainable growth in the Welsh media sector.
He is the author of Holocaust Impiety in Literature, Popular Music
and Film (2012).
Antony Rowland has published nine books, including Metamodernism
and Contemporary British Poetry (2022), The Future of Testimony
(co-edited with Jane Kilby) (2014) and Holocaust Poetry (2005). He
received an Eric Gregory award from the Society of Authors in 2000
and is currently a member of the Higher Education Committee for the
English Association.
Virtual Holocaust Memory is several books in one.
*Bryan Cheyette, Times Literary Supplement*
Virtual Holocaust Memory explores the most significant
methodological developments in Holocaust heritage and pedagogy at
the present time.
*German Studies Review *
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