Susannah Grant's a terrific screenwriter but somehow she missed the boat with Catch and Release. Characters don’t so much evolve in natural ways as they do flip-flop and change to suit the needs of the story. Not to spoil the movie for you, but expect a dramatic turn by Kevin Smith’s character that’s completely out of line with the rest of the film. Plus, it’s difficult to understand why Gray wouldn’t have a clue her recently deceased fiancé came from a wealthy family and might just have money of his own. And why doesn’t this personable woman have any friends or family of her own? Do you hear that clinking noise? It’s the chains of the plot left dangling…