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Album: Adventures in Early Music | ||||
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# | Song Title | Time | ||
1) | O vis eternitatis, response | |||
2) | Gallardas | |||
3) | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Gloria in Excelsis Deo | |||
4) | Trio for violin, oboe & continuo in G minor (Essercizii Musici No. 3/6), TWV42:g5: Allegro | |||
5) | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | |||
6) | Italian Concerto, for solo keyboard in F major (Clavier-šbung II/1), BWV 971 (BC L7): Presto | |||
7) | Stabat Mater, for 6 voices & organ: Excerpt | |||
8) | Das Fischerm„dchen ("Du sch”nes Fischerm„dchen"), song for voice & piano (Schwanengesang), D. 957/10 | |||
9) | Mrs. Fetherston (Carolan's Devotion) | |||
10) | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon a | |||
11) | Cancion A dos Tiples | |||
12) | Adagietto, for orchestra (from the Symphony No. 5) | |||
13) | Symphony No. 101 in D major ("Clock"), H. 1/101: Menuet | |||
14) | T'amo mia vita, madrigal for 3 women's voices & continuo | |||
15) | Planxty Connor | |||
16) | Vespro della beata vergine, for chorus & instruments, SV 206: Intonatio: Deus in adiutorium Domine a | |||
17) | Ora pro nobis beate Nicolae | |||
18) | Sonata for cello & continuo No. 7 in A minor, RV 44: Allegro poco | |||
19) | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, H. 408, Wq. 46: Allegro | |||
Album: Adventures in Early Music | ||||
---|---|---|---|---|
# | Song Title | Time | ||
1) | O vis eternitatis, response | |||
2) | Gallardas | |||
3) | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Gloria in Excelsis Deo | |||
4) | Trio for violin, oboe & continuo in G minor (Essercizii Musici No. 3/6), TWV42:g5: Allegro | |||
5) | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | |||
6) | Italian Concerto, for solo keyboard in F major (Clavier-šbung II/1), BWV 971 (BC L7): Presto | |||
7) | Stabat Mater, for 6 voices & organ: Excerpt | |||
8) | Das Fischerm„dchen ("Du sch”nes Fischerm„dchen"), song for voice & piano (Schwanengesang), D. 957/10 | |||
9) | Mrs. Fetherston (Carolan's Devotion) | |||
10) | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon a | |||
11) | Cancion A dos Tiples | |||
12) | Adagietto, for orchestra (from the Symphony No. 5) | |||
13) | Symphony No. 101 in D major ("Clock"), H. 1/101: Menuet | |||
14) | T'amo mia vita, madrigal for 3 women's voices & continuo | |||
15) | Planxty Connor | |||
16) | Vespro della beata vergine, for chorus & instruments, SV 206: Intonatio: Deus in adiutorium Domine a | |||
17) | Ora pro nobis beate Nicolae | |||
18) | Sonata for cello & continuo No. 7 in A minor, RV 44: Allegro poco | |||
19) | Double Concerto for 2 harpsichords, 2 horns, strings & continuo in F major, H. 408, Wq. 46: Allegro | |||
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