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Bitches Brew
Directions in Music By Miles Davis

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Format
Vinyl (2 Disc)
Release Date
31 July 2015

Our Price
HK$218
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HK$362.37
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'Bitches Brew' is a studio double album by American jazz musician, composer, and bandleader Miles Davis, released on March 30, 1970. Miles Davis experimented in the 1960s and, heavily influenced by German composer Karlheinz Stockhausen, produced this influencial album fused with jazz with electronica. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.

Album: Bitches Brew: Directions in Music By Miles Davis
# Song Title   Time
  Disc 1
1)    Pharaoh's Dance More Info... 0:20
2)    Bitches Brew More Info... 0:27
3)    Miles Runs the Voodoo Down More Info... 0:14
4)    Sanctuary More Info... 0:11
5)    Feio More Info... 0:12
 
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Album: Bitches Brew: Directions in Music By Miles Davis
# Song Title   Time
  Disc 1
1)    Pharaoh's Dance More Info... 0:20
2)    Bitches Brew More Info... 0:27
3)    Miles Runs the Voodoo Down More Info... 0:14
4)    Sanctuary More Info... 0:11
5)    Feio More Info... 0:12
 
Product Description

'Bitches Brew' is a studio double album by American jazz musician, composer, and bandleader Miles Davis, released on March 30, 1970. Miles Davis experimented in the 1960s and, heavily influenced by German composer Karlheinz Stockhausen, produced this influencial album fused with jazz with electronica. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.

Product Details
EAN
0888751119017
Studio/Live
Studio
Label
VINYL
Dimensions
31 x 0.4 x 31 centimeters (0.48 kg)
Performer Notes
  • Among the most controversial recordings in the history of jazz, BITCHES BREW was Miles Davis' shot across the bow of jazz insularity, a bold statement about jazz's ability to draw upon elements of popular culture, without mitigating its spirit of spontaneous invention. Much as Ornette Coleman's THE SHAPE OF JAZZ TO COME set a new standard for harmonic and melodic freedom a decade before, BITCHES BREW signaled a sea change in jazz.
  • Davis became a lightning rod for jazz's transformation, by mixing the best elements of '60s free jazz with dancing funk rhythms, electric rock textures, blues phrasing and his own breakthroughs in harmony and modality. Davis employed the Electric Flag's Harvey Brooks to double up with upright bassist Dave Holland on the Fender bass, and he is the modal heartbeat of every tune, freeing up the multiple drummers and keyboardists to weave a complex polytonal/polyrhythmic web of volatile chords and colliding rhythms.
  • Joe Zawinul's "Pharaoh's Dance" and Davis' "Bitches Brew" treat their multiple themes in a ritualistic manner, as several strata of voices engage the lead melody in exciting exchanges. "Spanish Key" offers a thrilling sense of tension and release, as the trumpeter navigates a "Sex Machine"-styled vamp with a terse, brilliantly constructed solo, revelling in his new guitar-like phrasing. "John McLaughlin" is Davis' tribute to the innovative guitarist; "Miles Runs The Voodoo Down" is a spooky, visceral melange of funk, blues and third world sources; and Shorter's "Sanctuary" is a moody ballad that builds to a fever pitch. The savage emotional power of BITCHES BREW and Davis' subsequent recordings cries out for a fresh critical reassessment.
Professional Reviews
Rolling Stone (12/11/03, p.118) - Ranked #94 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The word 'fusion' was never big enough to describe the visceral thrill of these explosive studio explorations and the pioneering tape-edit wizardry of producer Ted Macero..."

Rolling Stone (5/28/70, p.50) - "...Miles' music continues to grow in its beauty, subtlety and sheer magnificence...these chaps have discovered a new way to cook..."

Entertainment Weekly (p.73) - "Any one of these singular extrapolations can still transport you light-years away from reality in a heartbeat." -- Grade: A

Q (4/99, p.128) - Included in Q's "Best Jazz Albums of All Time."

Down Beat (p.66) - 4 stars out of 5 -- "[T]he pitch-shifting echoes at the start of the title track seemingly drift into infinity."

Mojo (Publisher) (p.114) - 5 stars out of 5 -- "[I]t took electricity seriously, celebrating noise and fury in a way that only served to accentuate the spiritual magnificence within."

Record Collector (magazine) (p.93) - 4 stars out of 5 -- "It singlehandedly gave birth to the jazz-rock fusion movement and changed jazz forever."

Uncut (magazine) (p.90) - 4 stars out of 5 -- "[A] beautiful, scary, oceanic melding of studio-manipulated sounds that bridges the gap between modal jazz, hypnotic funk and Hendrix-side proto-metal..."
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