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The Incredible Jazz Guitar ­of Wes Montgomery

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Format
CD (1 Disc); Stereo
Release Date
1 December 2010

Our Price
HK$94.08
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HK$141.61
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'The Incredible Jazz Guitar of Wes Montgomery', cemented his reputation and led to him becoming generally acknowledged as one of the most important jazz guitarists of all time, alongside Django Reinhardt and Charlie Christian. Wes would eventually be cited as an influence by guitarists as diverse as Stevie Ray Vaughan and Jimi Hendrix.

Album: The Incredible Jazz Guitar of Wes Montgomery
# Song Title   Time
1)    Airegin More Info...
2)    D-natural Blues More Info...
3)    Polka Dots and Moonbeams More Info...
4)    Four On Six More Info...
5)    West Coast Blues More Info...
6)    In Your Own Sweet Way More Info...
7)    Mr. Walker More Info...
8)    Gone With the Wind More Info...
9)    D-natural Blues (Different Version) More Info...
10)    West Coast Blues (Different Version) More Info...
 
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Album: The Incredible Jazz Guitar of Wes Montgomery
# Song Title   Time
1)    Airegin More Info...
2)    D-natural Blues More Info...
3)    Polka Dots and Moonbeams More Info...
4)    Four On Six More Info...
5)    West Coast Blues More Info...
6)    In Your Own Sweet Way More Info...
7)    Mr. Walker More Info...
8)    Gone With the Wind More Info...
9)    D-natural Blues (Different Version) More Info...
10)    West Coast Blues (Different Version) More Info...
 
Product Description

'The Incredible Jazz Guitar of Wes Montgomery', cemented his reputation and led to him becoming generally acknowledged as one of the most important jazz guitarists of all time, alongside Django Reinhardt and Charlie Christian. Wes would eventually be cited as an influence by guitarists as diverse as Stevie Ray Vaughan and Jimi Hendrix.

Product Details
EAN
8436028696666
Country
USA
Studio/Live
Studio
Guest Artist
Tommy Flanagan; Percy Heath
Label
Intermusic
Dimensions
12.8 x 14.4 x 1 centimeters (0.07 kg)
Performer Notes
  • Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Percy Heath (bass); Albert Heath (drums).
  • Recorded at Reeves Sound Studios, New York, New York on January 26 and 28, 1960. Originally released on Riverside (9320). Includes original release liner notes by Orrin Keepnews.
  • Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Albert "Tootie" Heath (drums).
  • Liner Note Authors: Ira Gitler; Arnold Marcus; Orrin Keepnews.
  • Recording information: New York, NY (01/26/1960); San Francisco, CA (01/26/1960); New York, NY (01/28/1960); San Francisco, CA (01/28/1960); New York, NY (05/18/1960); San Francisco, CA (05/18/1960); New York, NY (1960); San Francisco, CA (1960).
  • John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960.
  • The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have become standard jazz repertoire. Yet to remain in awe merely of his approach is to miss the point of what he has to say. Montgomery's technique served only to express the emotions and inspirations born from the depths of his soul. From the strings of his guitar, through all the amplifiers, tapes and speakers, what shines through is Wes' heart and a style without which there wouldn't be players like Pat Martino, Kevin Eubanks and Mark Whitfield today.
Professional Reviews
Down Beat (1960) - 5 Stars - Excellent - "...Montgomery is one of the most completely satisfying jazz musicians....To produce easy-listening music with meaning is a high accomplishment....Strongly recommended..."
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