A fiercely tense and twisty debut thriller that will take your
breath away.
Recommended read- For all fans of The Girl on the Train
Renee Knight worked as a documentary-maker for the BBC before
turning to writing. Disclaimer is her first novel.
She is married with two children.
An addictive novel with shades of Gone Girl
*Sunday Times*
Disclaimer plunges us into our worst nightmare -- somebody knows
our darkest secret, and they're sharing it . . .
*Val McDermid*
Renee Knight's DISCLAIMER is something special . . . an
outstandingly clever and twisty tale that's been perfectly
engineered to make heads spin
*New York Times*
Renee Knight's DISCLAIMER is something special . . . an
outstandingly clever and twisty tale that's been perfectly
engineered to make heads spin
*New York Times*
Sensationally good psychological suspense … exactly what a great
thriller should be
*LEE CHILD*
An enthralling thriller
*Heat*
Will this actually be the next Gone Girl? Well . . . it doesn't
disappoint . . . The narrative is elegantly written . . . a
maelstrom of appalling revelations and twists, certainly very
clever and entertaining
*Daily Mail*
Will this actually be the next Gone Girl? Well . . . it doesn't
disappoint . . . The narrative is elegantly written . . . a
maelstrom of appalling revelations and twists, certainly very
clever and entertaining
*Daily Mail*
Poised to establish herself as a big name
*Telegraph*
A really clever twist . . . superior fodder for your summer
hols
*Evening Standard*
Prepare to cancel all other commitments
*Stylist*
Superb debut . . . Knight paces the novel beautifully
*The Times*
You may as well just surrender now and read it and enjoy it because
it's not going to go away - and deservedly so
*BBC Radio 2 Arts Show*
If it's a creepy read you're after, look no further
*Good Housekeeping, Thriller of the Month*
DISCLAIMER stealthily steals your attention and by the end holds
you prisoner - a searing story that resonates long after the final
page. The best thriller I’ve read this year
*ROSAMUND LUPTON, bestselling author of Sister*
An intelligent and twisty thriller
*Elle*
A terrific novel with a brilliantly creepy central premise. One of
the best debut thrillers I have ever read
*PAULA DALY*
Assured debut novel . . . strong and compelling portrait of two
individuals who are forced to confront unpalatable, even
unbearable, truths.
*Guardian*
Fabulously gripping, I just could not put it down.
*MARIAN KEYES*
Tense and shocking, and full of twists and turns
*Booktime*
A genuinely original debut novel, nail-bitingly tense and
chilling
*Irish Independent*
Renee Knight skilfully peels away the layers of her story to reveal
a tale that is dark, deep and skin crawlingly sinister. I thought
it was faultless, a masterclass in thriller writing.
*Colette McBeth*
I read Disclaimer in two sittings . . . It's that good. . . The
premise is the star of the show but Knight's success lies in
keeping her plot, characterisation and unpredictability up to that
same standard.
*Daily Express*
A fine example of the genre . . . unbearably tense
*Sunday Express*
An unsettling page-turner of The Girl on the Train variety that wil
live on in readers' imaginations
*Grazia*
A faultlessly constructed, page-turning debut, Disclaimer delivers
its twists and surprises with ease. It is both clever and moving,
and I'm full of admiration.
*JOANNA BRISCOE*
It's Disclaimer that turns out to be the Gone Girl of the
season
*New York Times*
An ingenious and involving tale and a very successful first
novel
*Literary Review*
Fiendishly clever
*Daily Mail*
Renee Knight's stunning debut is a thriller with a particularly
literary flavour, but also with a heart. Best enjoyed slowly, with
no skipping to the heart-wrenchign conclusion. Terrific.
*Saga Magazine*
A deeply probing, intense psychological thriller that was gripping
and very difficult to put down
*Huffington Post*
Disclaimer forms a trinity alongside Gone Girl and The Girl on the
Train as the best of domestic noir . . . Disclaimer will be
climbing the bestseller list
*New York Daily News*
An original plot, well-paced to its unexpected climax
*The Times*
An original plot, well-paced to its unexpected climax
*The Times*
A highly assured debut novel with a cracking premise . . . a
remarkable well written page turner
*Euro Crime*
A superior piece of dark emotional fiction that will get under your
skin.
*Sainsburys magazine*
Plunges us into our worst nightmare - somebody knows our darkest
secret, and they're sharing it
*Val McDermid*
A finely crafted puzzle box
*Spectator*
A brilliant premise, superbly executed. I love this book
*CLARE MACKINTOSH, author of I LET YOU GO*
fantastic - was absolutely gripped. Great idea, could not put it
down.
*Tweet from Lucy Diamond*
Disclaimer is a real one-nighter
*Tweet from Polly Samson*
It's knockout
*Tweet from Claudia Winkleman*
The marvel of the new suspense novel “Disclaimer” is that it lives
up to its unusually gripping premise.
Disclaimer forms a trinity alongside “Gone Girl” and the “The Girl
on the Train” as the best of domestic noir. That this is a first
novel from Renee Knight, a British television screenwriter, makes
her sure hand with what’s sinister that much more stunning.
*New York Daily News*
A sensational psychological thriller
*Jackie Collins*
excellent debut
*KATE MOSSE, Guardian*
excellent debut
*KATE MOSSE, Guardian*
This bestseller is definitely one of the best thrillers of
2015.
*Marie Claire*
More original and sophisticated than your average psychological
thriller, Renée Knight's DISCLAIMER is an accomplished and
addictive tale.
*Sunday Times*
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